AVALIAÇÃO DA IMDb
7,0/10
9,4 mil
SUA AVALIAÇÃO
Um adolescente criativo e motivado está desesperado para escapar de sua cidade natal e das memórias assustadoras de sua infância turbulenta.Um adolescente criativo e motivado está desesperado para escapar de sua cidade natal e das memórias assustadoras de sua infância turbulenta.Um adolescente criativo e motivado está desesperado para escapar de sua cidade natal e das memórias assustadoras de sua infância turbulenta.
- Prêmios
- 10 vitórias e 10 indicações no total
Isabella Rossellini
- Buffy
- (narração)
Bradley Nippard
- Teenage Boy
- (as Brad Nippard)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesStephen Dunn's debut feature film.
- Citações
Brin Madly: If you are forced to walk through shit, then you might as well grow a thick skin.
- ConexõesReferences A Família Brady (1969)
- Trilhas sonorasGhosts
Performed by Ladytron
Written by Daniel Hunt
Published by Artwerk Music, LLC, worldwide administration by Nettwerk One Music (Canada) Ltd.
Courtesy of Nettwerk Productions, Ltd.
Avaliação em destaque
"I wasn't always this confident. Growing up as the awkward gay kid in a small town in Pennsylvania, you're constantly told, 'Don't be yourself, don't be proud of who you are.'" Carson Kressley
From fast Times at Ridgemont High (1982) to Boyhood (2014), coming –of-age movies over the last 30 years or so have been richly diverse from fantasy to reality. Certainly, being oneself was top priority.
Closet Monster deftly bridges that variety, presenting the tale of queer Oscar (Jack Fulton as a boy, Connor Jessup as 18 years old), whose mom abandons him early in life and dad doesn't measure up in the sensitive category. This entertaining film is more like a bittersweet indie than a mainstream comedy and one of the best of its kind in years.
Along with some appropriate fantasy sequences and a talking hamster (voice of Isabella Rossellini), director/writer Stephen Dunn nonetheless gives us the feeling of reality. Oscar comes slowly to the realization that he's gay with a whole bunch of interest and concern our part. Jessup plays Oscar with such low-key humility and humanity that he makes us want to spend more than ninety minutes with him. I hope Jessup gets the acting recognition he deserves—he's that good.
So real seem Oscar's challenges, from coming on a murderous sex crime as a boy to kicking dad into the closet (nice touch) as a young man, that when we bid him goodbye at a living that will foster his artistic talents, we may well feel we have taken mom's place, or at least the hamster's, in watching him grow up.
The film is realistic but uncompromising as it allows him to be a boy outsider but also befriend an attractive girl, confide in a hamster, and confront his dad with a maturity that suits his perceptive, tough-minded persona. It's no coincidence that the tree house he occupies is a refuge from his dad's temper and a home for his eccentric companions, from the hamster to attractive male friend, Wilder (Aliocha Schneider), and therefore a home for his alternative life.
Even if you are uncertain you would like a gay-centered film, Closet Monster will make you see that a well, warmly-told story from any youth pv will be more exciting than any other mainstream romance you will have seen in a long time.
From fast Times at Ridgemont High (1982) to Boyhood (2014), coming –of-age movies over the last 30 years or so have been richly diverse from fantasy to reality. Certainly, being oneself was top priority.
Closet Monster deftly bridges that variety, presenting the tale of queer Oscar (Jack Fulton as a boy, Connor Jessup as 18 years old), whose mom abandons him early in life and dad doesn't measure up in the sensitive category. This entertaining film is more like a bittersweet indie than a mainstream comedy and one of the best of its kind in years.
Along with some appropriate fantasy sequences and a talking hamster (voice of Isabella Rossellini), director/writer Stephen Dunn nonetheless gives us the feeling of reality. Oscar comes slowly to the realization that he's gay with a whole bunch of interest and concern our part. Jessup plays Oscar with such low-key humility and humanity that he makes us want to spend more than ninety minutes with him. I hope Jessup gets the acting recognition he deserves—he's that good.
So real seem Oscar's challenges, from coming on a murderous sex crime as a boy to kicking dad into the closet (nice touch) as a young man, that when we bid him goodbye at a living that will foster his artistic talents, we may well feel we have taken mom's place, or at least the hamster's, in watching him grow up.
The film is realistic but uncompromising as it allows him to be a boy outsider but also befriend an attractive girl, confide in a hamster, and confront his dad with a maturity that suits his perceptive, tough-minded persona. It's no coincidence that the tree house he occupies is a refuge from his dad's temper and a home for his eccentric companions, from the hamster to attractive male friend, Wilder (Aliocha Schneider), and therefore a home for his alternative life.
Even if you are uncertain you would like a gay-centered film, Closet Monster will make you see that a well, warmly-told story from any youth pv will be more exciting than any other mainstream romance you will have seen in a long time.
- JohnDeSando
- 10 de out. de 2016
- Link permanente
Principais escolhas
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- How long is Closet Monster?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Oscar e Wilder: Um Amor Improvável
- Locações de filme
- St John's, Newfoundland, Canadá(filmed on location)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 42.166
- Fim de semana de estreia nos EUA e Canadá
- US$ 6.118
- 25 de set. de 2016
- Faturamento bruto mundial
- US$ 42.360
- Tempo de duração1 hora 30 minutos
- Cor
- Mixagem de som
- Proporção
- 1.78 : 1
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