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4,3/10
31 mil
SUA AVALIAÇÃO
Um jovem prodígio criminoso persegue uma sociedade secreta de fadas para encontrar seu pai desaparecido.Um jovem prodígio criminoso persegue uma sociedade secreta de fadas para encontrar seu pai desaparecido.Um jovem prodígio criminoso persegue uma sociedade secreta de fadas para encontrar seu pai desaparecido.
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Você sabia?
- CuriosidadesHarvey Weinstein was producer on this movie but following the disclosure of his sexual misconduct, Disney removed him and terminated their production partnership with The Weinstein Company.
- Erros de gravaçãoYoung Artemis Fowl had never been in the secret dungeon before yet after locating the drawer with his fathers journal in he goes straight to another drawer directly above and pulls it out revealing a concealed lamp which he then twists and turns on the lamp thus illuminating his fathers journal having never seen any of the hidden room or it's contents before how did he know to do that.
- Citações
Commander Root: Our world has never been in more danger. Human greed is what drove us underground all those years ago, to escape from your rapacious appetite. I warn you, boy, you are not prepared for the truth behind what you seek. Now you will believe, Artemis Fowl.
- Trilhas sonorasO Mio Babbino Caro - Gianni Schicchi
Written by Giacomo Puccini, Giovacchino Forzano
Performed by Angela Gheorghiu
Courtesy of Warner Classic
By arrangement with Warner Music Group Film & TV Licensing
Avaliação em destaque
It's actually been a long time since reading the book series, but from retrospect they were certainly better than this film version. Love Disney and Disney+ has been a godsend recently and watched regularly actually, one of many reasons as to why my reviewing here has slowed down. Kenneth Branagh is a gifted director, absolutely love his Shakespeare adaptations with 'Much Ado About Nothing' being a personal favourite (though others will prefer the also great 'Hamlet' and 'Henry V'). Love Judi Dench as an actress too.
'Artemis Fowl' was a real disappointment. As an adaptation it's an abomination, one of the worst book to film adaptations there is in existence. Am not kidding here. It fares even worse on its own terms, despite what those that have defended the film say some that have hated the film have not read the books and saw it as fans of Branagh and Dench, my parents being among those people. Almost nothing works and Branagh has never been this uninterested in his directing in what is easily his worst film (those that disliked 'Murder on the Orient Express', didn't care for that myself while not hating it, will appreciate that film better after seeing this).
The least bad asset is actually the music score, which is actually beautiful to listen to, authentically Irish and lilting. Sadly it was one of those scores that were pleasant enough on their own but failed to fit within the film, this score sounded like it belonged somewhere else. The scenery also wasn't bad in parts but the photography generally is rushed looking and some of the images thanks to some very disjointed editing and garish lighting are quite ugly so that was wasted too. Any special effects are afterthought-looking.
Moving on further onto the criticisms, the acting is really not good. Ferdia Shaw is monotone and charisma-free throughout. Lara McDonnell has more perkiness but the character is very underwritten and bland on the whole. Colin Farrell is completely wasted. Josh Gad tries too hard is gets very annoying after a while, actually thought he didn't blend very well with everything else. You know something is wrong when Dench gives the least bad performance and still manages to give one of her worst performances, that affected accent and voice was not needed and she doesn't look engaged at times. At least she showed some signs of having command over her meagre material.
Branagh was clearly not interested in the material, as his direction throughout is uncharacteristically indifferent and phoned in. One would not think that he is a great Shakespearean director, and he did prove with his wonderful 'Cinderella' that he could do non-Shakespeare too, as this is quite inept. The target audience also felt confused, my mother was very unsure at who 'Artemis Fowl' was aimed at, children will find it hard to follow and it is too dull for adults. Even teens, the main target audience of the book series, will question the target audience.
Script is stilted and is too exposition-heavy (apparent right from the beginning with an over-explanatory narration), a lot of the film screeching to a deadening halt in the more talky sections and there are a lot of those. The storytelling is incredibly thin and not does it feel like a hodge podge of cobbled togther ideas it is all executed in a dull fashion and with little coherence, literally only one event happens. There is one action show-piece pretty much with a troll very late on but even that doesn't thrill and even the troll doesn't look that good. There is no character development whatsoever, nobody is given time to breathe, the villain is a non-entity and Artemis himself is practically useless. What little there is of the action is sluggish, incoherently edited and the sense of danger just isn't there. To cap it all off, the ending was a completely abrupt anti-climax.
In summary, very poor. 2/10
'Artemis Fowl' was a real disappointment. As an adaptation it's an abomination, one of the worst book to film adaptations there is in existence. Am not kidding here. It fares even worse on its own terms, despite what those that have defended the film say some that have hated the film have not read the books and saw it as fans of Branagh and Dench, my parents being among those people. Almost nothing works and Branagh has never been this uninterested in his directing in what is easily his worst film (those that disliked 'Murder on the Orient Express', didn't care for that myself while not hating it, will appreciate that film better after seeing this).
The least bad asset is actually the music score, which is actually beautiful to listen to, authentically Irish and lilting. Sadly it was one of those scores that were pleasant enough on their own but failed to fit within the film, this score sounded like it belonged somewhere else. The scenery also wasn't bad in parts but the photography generally is rushed looking and some of the images thanks to some very disjointed editing and garish lighting are quite ugly so that was wasted too. Any special effects are afterthought-looking.
Moving on further onto the criticisms, the acting is really not good. Ferdia Shaw is monotone and charisma-free throughout. Lara McDonnell has more perkiness but the character is very underwritten and bland on the whole. Colin Farrell is completely wasted. Josh Gad tries too hard is gets very annoying after a while, actually thought he didn't blend very well with everything else. You know something is wrong when Dench gives the least bad performance and still manages to give one of her worst performances, that affected accent and voice was not needed and she doesn't look engaged at times. At least she showed some signs of having command over her meagre material.
Branagh was clearly not interested in the material, as his direction throughout is uncharacteristically indifferent and phoned in. One would not think that he is a great Shakespearean director, and he did prove with his wonderful 'Cinderella' that he could do non-Shakespeare too, as this is quite inept. The target audience also felt confused, my mother was very unsure at who 'Artemis Fowl' was aimed at, children will find it hard to follow and it is too dull for adults. Even teens, the main target audience of the book series, will question the target audience.
Script is stilted and is too exposition-heavy (apparent right from the beginning with an over-explanatory narration), a lot of the film screeching to a deadening halt in the more talky sections and there are a lot of those. The storytelling is incredibly thin and not does it feel like a hodge podge of cobbled togther ideas it is all executed in a dull fashion and with little coherence, literally only one event happens. There is one action show-piece pretty much with a troll very late on but even that doesn't thrill and even the troll doesn't look that good. There is no character development whatsoever, nobody is given time to breathe, the villain is a non-entity and Artemis himself is practically useless. What little there is of the action is sluggish, incoherently edited and the sense of danger just isn't there. To cap it all off, the ending was a completely abrupt anti-climax.
In summary, very poor. 2/10
- TheLittleSongbird
- 12 de jul. de 2020
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- Data de lançamento
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- Também conhecido como
- Artemis Fowl
- Locações de filme
- Ho Chi Minh City, Vietnam(scenes deleted)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 35 minutos
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- Proporção
- 2.39 : 1
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