O Quarto Proibido

Título original: The Forbidden Room

2015
Not Rated
2 h 10 min

AVALIAÇÃO DA IMDb

6,1/10

3,5 mil

SUA AVALIAÇÃO

Reproduzir trailer1:38

6 vídeos

79 fotos

Comedy Mystery

Adicionar um enredo no seu idiomaIn this non-linear amalgamation, submarine crewmen and a woodsman wend their way through a voyage of odd experiences.In this non-linear amalgamation, submarine crewmen and a woodsman wend their way through a voyage of odd experiences.In this non-linear amalgamation, submarine crewmen and a woodsman wend their way through a voyage of odd experiences.

Veja as informações de produção no IMDbPro

AVALIAÇÃO DA IMDb

6,1/10

3,5 mil

SUA AVALIAÇÃO

Veja as informações de produção no IMDbPro

Prêmios
- 4 vitórias e 11 indicações no total

Curiosidades
Each sequence of The Forbidden Room is based on reviews and summaries of "lost" films, mostly from America in the early to mid-20th century. These films were destroyed intentionally or by natural degradation of the original film stock, and will likely never be seen again. Guy Maddin realized the only way he'd be able to see these lost movies was to make them himself.

Citações
Count Yugh: Please doctor, you must help me. I am plagued by bottoms.

Cenas durante ou pós-créditos
Sparks are credited in the cast section of the titles that go on during the movie, but are not seen in the end credits cast section.

Conexões
Featured in The 1000 Eyes of Dr. Maddin (2015)

Trilhas sonoras
Verklärte Nacht
(from Chamber Symphony no. 2 in E flat minor op. 38)
Written by Arnold Schönberg (as Arnold Schoenberg)
Conducted by Arnold Schönberg (as Arnold Schoenberg)

Avaliações de usuários28

Avaliar

Avaliação em destaque

5/10

Ultimately Kind of Tedious

I admire the film making and the art direction for The Forbidden Room, but while it initially dazzles, it quickly becomes rather tedious. There is no real payoff for the effort it takes to sit through it, and it does take some effort. The most entertaining part for me is the opening titles. The only movie I can compare it to is Stalker, and it isn't a fair comparison. While both share the washed-out, sepia tone Lynch-like visual style, Stalker has a discernible plot beyond just its style. I'd love to intellectualize the film and say it has deeper meaning, but outside of the art direction and distressed film look, after sitting through it I've decided there is just no "there" there.