You wonder why the makers of films like "Eight Eyes" pull out all the stops in making a film that looks like a grindhouse flick from the '70s when the movie itself could only have been made in modern times.
It's shot on old cameras, has retro-style introductory titles, and a low-key synthesiser score like something sampled on a Moog, but the relationships and characters are straight out of any modern movie.
It seems to clash.
It doesn't help that most of the movie feels like a rip-off of "Hostel", a movie from the new millennium, and only seems to ape "Texas Chainsaw Massacre" toward the end of it.
I didn't really get it. Why evoke so much of Yugoslav culture and history, just to finish off in a splatter fest that could have happened anywhere?
Nor did I really understand what the ending was getting at. There's a long hallucinatory sequence that was maybe just in the movie to make it seem more dingy and grindhouse?
Also I didn't really understand how our unlikeable protagonist went from the streets of Macedonia to the hide-out of the bad guys, nor what the bad guys actually wanted with them. What was with the naked fat guy in the mask?
Maybe that was just a nod to Texas Chainsaw, ie. This movie's version of Leatherface.
Whatever. By that time I was mostly just waiting for the movie to end.
