From the content of the Douban short reviews, it seems that most viewers have not seen "Hyakuen no Koi." Personally, I think that "Yolo" as a remake is at least not inferior to the original. The localization of the film is very successful, whether it's the tone, the settings, or the plot. Although I also like "Hyakuen no Koi," Chinese audiences during the Spring Festival still need a more sizzling hot performance. Especially the dialogue between Le Ying and Hao Kun at the end, it has already surpassed "Hyakuen no Koi." The core is about how a person with a self-closed, introverted personality and depressive tendencies gradually finds their existential proposition through collisions with others and society. Boxing and weight loss have become the most superficial symbols, but even so, she still works hard, which should be sincerity. After all, she didn't have to do this.