Mark my words, this will be remembered as one of the best films of the year. It's a heartwarming movie with a great slice-of-life, some bittersweet added with a touch of bromance. In an era of formulaic blockbusters and Interval bangs this film is a refreshing change. It expresses a lot that is happening in society, inside the family, within humans, and the self-discovery while keeping it grounded, rooted, and minimalistic.
A character-driven story focused on Arul (Arvind Swamy), who returns to his hometown with a sense of ambivalence. We as a viewer travel along with this character. On the other hand, Karthi, a mysterious character as ordinary as the sun's daily rise, has a knack for getting into quirky situations. We see the story unfold between these two as they spend a night and the trip is a rollercoaster of emotions, from nostalgic flashbacks to awkward encounters. And let's not forget the classic "miss the bus because your someone insisted on tea" moment. That's one of the funniest sequences during the interval.
There are heartwarming moments, and one of my favorites involves a phone call between Arul's father (Jayaprakash) and Raj Kiran, who delivers a remarkably natural performance. Also, the wedding sequence, culminating in Arul gifting his sister, is beautifully staged. Additionally, Kamal Haasan's soulful 'Yaaro Ivan Yaaro' song placement in the beginning and the pre-climax is done so well.
Director Prem Kumar stages everything brilliantly with the unending sound of the biosphere. Set in Thanjavur, it sums up the tone of the film as a conjunction between ecology and humans. His ability to blend melodrama with characters is his biggest strength, accentuated by good acting.
The visuals are ideally combined with subplots, and the authenticity in mixing the local culture, history, and especially Jallikattu, is beautifully done. It doesn't falter the narrative and isn't an overkill. The relationships don't cross the line of going overboard, and the idea of coexistence is shown with so many happy moments.
Oh, almost forgot about the background score. The entire film is loaded with bittersweet to happy scores that speak more or less sometimes, as the silence also does the talking.
I know we had "Vaazhai," "Jama," "Kottukkali," and "Lubber Pandhu" last week, but trust me, "Meiyazhagan" is a fresh breath of air. It impresses with its variety of forms and feelings. There are no bleak moments, cringe love stories, or sermons on oppression. There are references like the Sterlite issue, but it is handled well with no genre shift.
Final thoughts, I can go on and on but will not be able to capture all its beauty in writing. In the end of this film, you are uplifted and also feel a bittersweet joy.