Elsbeth Tascioni, uma advogada nada convencional, oferece seu ponto de vista singular para fazer observações e capturar criminosos ao lado da polícia de Nova York.Elsbeth Tascioni, uma advogada nada convencional, oferece seu ponto de vista singular para fazer observações e capturar criminosos ao lado da polícia de Nova York.Elsbeth Tascioni, uma advogada nada convencional, oferece seu ponto de vista singular para fazer observações e capturar criminosos ao lado da polícia de Nova York.
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- CuriosidadesIn the first episode, Elsbeth is standing near a curb and gets splashed by a passing car driving through a puddle (a clip that was also heavily used in the promotion for the show). Instead of reacting with anger or disgust (as a more stereotypical New Yorker might, and as Sarah Jessica Parker's Carrie Bradshaw does in the opening credits for Sex and the City), she looks absolutely overjoyed. In an April 2024 Washington Post interview with Carrie Preston, journalist Emily Yahr explained Preston's thought process behind the reaction: "Preston read the script and knew exactly how to play the scene where she gets soaked by the car. Obviously, Elsbeth is a huge Sex and the City fan, and therefore thrilled to experience a Carrie Bradshaw moment in New York. 'I decided that Elsbeth would find that absolutely 100 percent delightful,' Preston said in a recent interview on set in Brooklyn. On the show, Elsbeth has just moved from The Good Wife's universe of Chicago to work as a court-mandated legal observer of the New York Police Department-and she is truly dazzled by all the Big Apple has to offer. 'She's like, "Yes, I'm here, I've been splashed . . . I'm a New Yorker!"'"
- Erros de gravaçãoTascioni is Italian for "Big Pockets," and is pronounced "tah-SHO-nee," not "tass-ee-O-nee."
- ConexõesFeatured in WatchMojo: Top 10 TV Shows of 2024 (So Far) (2024)
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We were all pleasantly surprised by the fresh take on the Columbo (1971) "reverse mystery" formula with Poker Face (2023), and here we have CBS's attempt at that sub-genre with mixed feelings.
For those unaware, the "reverse mystery" is not a "whodunnit" but a "howcatchem." In this format, the crime is depicted first in full view of the audience. There is no doubt "who did it." The fun them comes when the detective comes in and finds all the "little" things the killer gets wrong, and we get to watch as the "perfect crime" slowly unravels. Peter Falk as Columbo did this to great affect - with his little questions, constant "one more thing" jibes, and the reveal - that point where the killer know's the game is up - is more often than not very satisfying. Not so much here.
Now introduce Elsbeth Tascioni ( Carrie Preston ) who is well-known to those who follow the The Good Wife (2009) franchise. She's a quirky somewhat "neruodiverse" lawyer who has a special point of view of the world, and has a talent for seeing the little things.
Now Elsbeth is "on loan" to monitor the NYPD, and manages to ease her way into leading an investigation into a murdered actress. I have no love of New York or the NYPD, but I do take exception with law enforcement being depicted as out-right incompetent. There's a perfect crime scene, where the killer has covered all the bases to make the murder appear a suicide. Open and shut - where's the donuts. Only Elsbeth comes in and finds three or four completely obvious clues that suggest that the suicide might be murder. Of course, the cops are all bothered and unimpressed by her insights. "Wait in the hall," she's repeatedly told. But she's having none of it, and continues to poke-and-prod and even does a "one more thing" bit.
While I'm overall happy with this show - shot beautifully to make you believe that every day is sunny in New York (it's not) - the writing is extremely weak and it shows. No spoilers here, but - come on - the mystery is so shallow that it almost seems the killer didn't have to work so hard. The "little things" that Elsbeth notices are so obvious and in plain sight, a trained police detective would have to be completely incompetent not to notice them.
This show is almost-but-not-quite family friendly. The violence is subdued, and the killer goes (in classic Columbo fashion) with calm and grace, even asking "where did I slip up?" So, no fist fights, no car chases, no shouting matches. Only disdain for Elsbeth to go "wait in the hall."
I have overall hopes for this show that it will improve. This installment was weaker than the weakest of Columbo episodes. Here's hoping the mysteries can get deeper and the "howcatchem" can be satisfying again.
For those unaware, the "reverse mystery" is not a "whodunnit" but a "howcatchem." In this format, the crime is depicted first in full view of the audience. There is no doubt "who did it." The fun them comes when the detective comes in and finds all the "little" things the killer gets wrong, and we get to watch as the "perfect crime" slowly unravels. Peter Falk as Columbo did this to great affect - with his little questions, constant "one more thing" jibes, and the reveal - that point where the killer know's the game is up - is more often than not very satisfying. Not so much here.
Now introduce Elsbeth Tascioni ( Carrie Preston ) who is well-known to those who follow the The Good Wife (2009) franchise. She's a quirky somewhat "neruodiverse" lawyer who has a special point of view of the world, and has a talent for seeing the little things.
Now Elsbeth is "on loan" to monitor the NYPD, and manages to ease her way into leading an investigation into a murdered actress. I have no love of New York or the NYPD, but I do take exception with law enforcement being depicted as out-right incompetent. There's a perfect crime scene, where the killer has covered all the bases to make the murder appear a suicide. Open and shut - where's the donuts. Only Elsbeth comes in and finds three or four completely obvious clues that suggest that the suicide might be murder. Of course, the cops are all bothered and unimpressed by her insights. "Wait in the hall," she's repeatedly told. But she's having none of it, and continues to poke-and-prod and even does a "one more thing" bit.
While I'm overall happy with this show - shot beautifully to make you believe that every day is sunny in New York (it's not) - the writing is extremely weak and it shows. No spoilers here, but - come on - the mystery is so shallow that it almost seems the killer didn't have to work so hard. The "little things" that Elsbeth notices are so obvious and in plain sight, a trained police detective would have to be completely incompetent not to notice them.
This show is almost-but-not-quite family friendly. The violence is subdued, and the killer goes (in classic Columbo fashion) with calm and grace, even asking "where did I slip up?" So, no fist fights, no car chases, no shouting matches. Only disdain for Elsbeth to go "wait in the hall."
I have overall hopes for this show that it will improve. This installment was weaker than the weakest of Columbo episodes. Here's hoping the mysteries can get deeper and the "howcatchem" can be satisfying again.
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- 10 de mar. de 2024
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