AVALIAÇÃO DA IMDb
6,7/10
1,4 mil
SUA AVALIAÇÃO
Quando um professor de literatura é confrontado com uma reclamação de comportamento inapropriado de uma aluna adolescente, ele precisa lutar para proteger seu nome, sua posição na escola e s... Ler tudoQuando um professor de literatura é confrontado com uma reclamação de comportamento inapropriado de uma aluna adolescente, ele precisa lutar para proteger seu nome, sua posição na escola e seu antigo relacionamento gay, que ninguém sabe.Quando um professor de literatura é confrontado com uma reclamação de comportamento inapropriado de uma aluna adolescente, ele precisa lutar para proteger seu nome, sua posição na escola e seu antigo relacionamento gay, que ninguém sabe.
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- CuriosidadesBased on the true story which happened to Teddy Lussi-Modeste, the film's co-writer and director who is also a teacher. The story happened to him at a school in Seine-Saint-Denis (in the Northern suburbs of Paris) in 2019. A 13-year old girl accused him of touching his belt while looking at her, one of her big brothers threatened him, another took her to the police station to file a complaint, all the teachers went on strike, etc. Like Julien, the main character, he feared for his life every time he left school, but didn't want to stop working as he felt this would have been admitting his guilt, and he also feared for his colleagues who were escorting him to the subway.
- ConexõesReferences Son of India (1962)
Avaliação em destaque
The intriuging idea and a sort of a novelty in this film while addressing the topic of the sexual abuse on schools and the thin and critical
line of conduct that divides what's accepted by teachers and students is that here the main character, played François Civil in a phenomenal performance,
is a gay man, with a loving partner, but he's not out in the open with his colleagues of profession, neither his students. If we'd look back at "The
Hunt" and "Liquid Truth", it's always about heterosexual guys who happened to be ladies man; the new take shown in this film was quite
reflective as audiences struggle to understand how misunderstandings and the perception of actions and words can damage reputations.
A remark made during one of his literature deabtes, where examples of beauty and certain sexual tone were used - mostly by the class - set Julien's into a downspiralling when a young girl (Mallory Wanecque) accuses him of sexual misconduct. It's up to the man alone find ways of defending himself, getting little help from his fellow co-workers (and they felt betrayed for not being honest about who he really loves), a headmaster who doesn't work all that hard to help him getting legal assistance; attacks from all the others students; the girl's brother who threats him of violence; and the troubles at home with his partner.
Teddy Lussi-Modeste's "Pas de vague" ("The Good Teacher") claims that the story happened with his own father. It's a little strange that things happened exactly in the weird and chaotic manner in which he presents things and scenarios; and while it has a wordly and poingnat debate over the issue, it's a little too eccentric to be taken seriously. Thanks to Civil and the character's struggle while dealing with too many chaos around that the film survives as a good thing.
It's easy to like the film, but it's not easy to accept or comprehend its gaps, like the denounce made by two other girls after the cellphone incident with the whole class mocking Julien. What's their ground for a police report? The helpless policial and judicial system procedures make it all look devastating hard and not allowing any line of defense for the man. And worst of all, this might look a bit odd, but many countries have a specific ruling that when a denounce like that happens, the teacher gets temporarily removed until further notice and until legal issues were set in motion. Julien continues to work, subjected to contempt from basically everybody.
Films like this must have a way to stay closer to reality as much possible, as audiences can relate with the situation and finds ways to understand the intricate moments of life, reflect on experiences and how one should deal with. Not much of wanting a cautionary tale but just a little close to it.
And again, François Civil makes the movie worth seeing. It's a very emotionally charged performance, acted out with gusto, power, passion and delivery, and the audience will remember all his pain and vulnerability, some humor as well, for times to come. 7/10.
A remark made during one of his literature deabtes, where examples of beauty and certain sexual tone were used - mostly by the class - set Julien's into a downspiralling when a young girl (Mallory Wanecque) accuses him of sexual misconduct. It's up to the man alone find ways of defending himself, getting little help from his fellow co-workers (and they felt betrayed for not being honest about who he really loves), a headmaster who doesn't work all that hard to help him getting legal assistance; attacks from all the others students; the girl's brother who threats him of violence; and the troubles at home with his partner.
Teddy Lussi-Modeste's "Pas de vague" ("The Good Teacher") claims that the story happened with his own father. It's a little strange that things happened exactly in the weird and chaotic manner in which he presents things and scenarios; and while it has a wordly and poingnat debate over the issue, it's a little too eccentric to be taken seriously. Thanks to Civil and the character's struggle while dealing with too many chaos around that the film survives as a good thing.
It's easy to like the film, but it's not easy to accept or comprehend its gaps, like the denounce made by two other girls after the cellphone incident with the whole class mocking Julien. What's their ground for a police report? The helpless policial and judicial system procedures make it all look devastating hard and not allowing any line of defense for the man. And worst of all, this might look a bit odd, but many countries have a specific ruling that when a denounce like that happens, the teacher gets temporarily removed until further notice and until legal issues were set in motion. Julien continues to work, subjected to contempt from basically everybody.
Films like this must have a way to stay closer to reality as much possible, as audiences can relate with the situation and finds ways to understand the intricate moments of life, reflect on experiences and how one should deal with. Not much of wanting a cautionary tale but just a little close to it.
And again, François Civil makes the movie worth seeing. It's a very emotionally charged performance, acted out with gusto, power, passion and delivery, and the audience will remember all his pain and vulnerability, some humor as well, for times to come. 7/10.
- Rodrigo_Amaro
- 25 de set. de 2024
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- Também conhecido como
- The Good Teacher
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- Orçamento
- € 3.870.000 (estimativa)
- Faturamento bruto mundial
- US$ 3.120.799
- Tempo de duração1 hora 31 minutos
- Cor
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