Brooklyn

2015
12
1 h 57 min

AVALIAÇÃO DA IMDb

7,5/10

153 mil

SUA AVALIAÇÃO

POPULARIDADE

2.398

387

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37 vídeos

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Drama Romance

Um imigrante irlandês chega ao Brooklyn nos anos cinquenta, onde ela rapidamente se apaixona por um local. No entanto, quando o seu passado alcança, ele deve escolher entre dois países e as ... Ler tudoUm imigrante irlandês chega ao Brooklyn nos anos cinquenta, onde ela rapidamente se apaixona por um local. No entanto, quando o seu passado alcança, ele deve escolher entre dois países e as vidas que existem dentro dele.Um imigrante irlandês chega ao Brooklyn nos anos cinquenta, onde ela rapidamente se apaixona por um local. No entanto, quando o seu passado alcança, ele deve escolher entre dois países e as vidas que existem dentro dele.

Veja as informações de produção no IMDbPro

AVALIAÇÃO DA IMDb

7,5/10

153 mil

SUA AVALIAÇÃO

POPULARIDADE

2.398

387

Veja as informações de produção no IMDbPro

Indicado a 3 Oscars
- 38 vitórias e 161 indicações no total

Curiosidades
Director John Crowley divided this movie into three different visual movements. The first movement is before Eilis Lacey leaves post-war Ireland and is with tight frames and filled with green tones. The color scheme was created by photographic reference of the time. The second movement begins when Eilis leaves for Brooklyn, and the first proper wide shot is featured, while the colors become more playful as a nod to how America in 1952 was on the cusp of pop culture kicking off. The third movement is back in Ireland, brighter, more glamorous, and "subtly more colorful" than the first movement. Crowley wanted to showcase how Eilis has changed and looks very different: "There is a slightly dreamy quality to that last third," he said.

Erros de gravação
Early in the film, a co-worker attempts to discuss the film Depois do Vendaval (1952). This scene in Brooklyn, NY, takes place in 1951; also in a key scene that takes place much later, a new tombstone on a grave is dated 1st July 1952. "The Quiet Man" was not on general release in USA cinemas until 14 September 1952, with the American premiere in New York City, New York taking place on August 21, 1952.

Citações
[last lines]
Eilis: [instructing new immigrant] You have to think like an American. You'll feel so homesick that you'll want to die, and there's nothing you can do about it apart from endure it. But you will, and it won't kill you. And one day the sun will come out - you might not even notice straight away, it'll be that faint. And then you'll catch yourself thinking about something or someone who has no connection with the past. Someone who's only yours. And you'll realize... that this is where your life is.

Conexões
Featured in TFI Friday: Episode #7.1 (2015)

Trilhas sonoras
Teddy O'Neill
Traditional
Arranged by John Carty
Performed by John Carty, James Blennerhassett, Paul Gurney and Jim Higgins

Avaliações de usuários355

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Avaliação em destaque

8/10

Ronan owns this films, terrific performance

I was lucky enough to get tickets to a preview of Brooklyn last week, and in a rare change from the normal routine, I went into a film knowing absolutely nothing about it.

It was such a full house, that I ended up staring up at the screen from well outside my usual comfort zone at an awkward angle, too close to the screen, and away from my girlfriend which wasn't a great start, but once the film started I was quickly caught up in the magnificence of Saoirse Ronan's performance and forgot about any of those minor gripes.

Ronan owned this film, from first to last. The storyline itself is a somewhat thin and a follows a well-trodden path but Ronan gives it such heft, and brings the intensity of her character's experience and development full force such that any deficiencies of the story seem inconsequential. It was only after leaving the screening that I really looked back at some of the plot points and realised how contrived it had been in places, but for the time I was watching it, I was simply living it through the potency of the acting. Ronan was brilliant in this, and I struggle to think of any recent performances that can match this for the confidence and sure-footedness that she showed. I think she's in with a good shout for an award or two for this role.

It's worth mentioning Julie Waters as well, who reliably entertains and impresses in all she does. Between her and Saoirse Ronan, they made sure that Brooklyn passed the 6 laugh test – and also the 6 cry test. I laughed, and cried, and laughed as I was crying, and cried as I was laughing pretty much throughout the whole film. A thoroughly enjoyable film, where the central performance takes the audience on an engrossing and emotional trip through an otherwise somewhat slight storyline.