Uma detetive do ano de 2077 está presa na atual Vancouver e procura criminosos cruéis do futuro.Uma detetive do ano de 2077 está presa na atual Vancouver e procura criminosos cruéis do futuro.Uma detetive do ano de 2077 está presa na atual Vancouver e procura criminosos cruéis do futuro.
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- 23 vitórias e 52 indicações no total
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- CuriosidadesAs the show deals with time travel, it is only fitting that each episode title relates to that. In the first season, all episodes have the word "Time" in their titles, such as "Wasting Time" or "Playtime".
In the second season the writers expanded on the idea and named each episode something with "Second". This can be read as both the time measurement, but also an indication of the season to which the episodes belong.
Keeping in line with the previous seasons, all episodes in Season 3 includes the word "Minute" in their titles.
Continuing the trend set by the previous seasons, all episode titles the final season contain the word Hour. Very fittingly, the final episode of the final season is called Final Hour.
- Erros de gravaçãoApparently, Alec (Erik Knudsen) to Alec (William B. Davis) height grew up 21 cm (8.3 inches) when he got older and became taller than Kiera.
- Citações
[second season opening title sequence]
Kiera Cameron: 2077. My time, my city, my family. When terrorists killed thousands of innocents, they were condemned to die. They had other plans. A time travel device sent us all back 65 years. I want to get home, but I can't be sure what I will return to if history is changed. Their plan? To corrupt and control the present in order to win the future. What they didn't plan on, was me.
- ConexõesFeatured in WatchMojo: Top 10 Time Travel TV Shows (2016)
Avaliação em destaque
This is one of the most creative and imaginative shows on television. It honors the sci-fi genre by actually addressing the questions we must ask ourselves about the future and how our actions in the present will shape it. This is what science fiction, at it's best, is meant for. Instead of depending on elaborate sets and overblown special effects (almost everything is filmed on location in Vancouver) the show leans heavily on good writing and performances and a plot that twists and turns without coming off as totally implausible or absurd.
Although it draws one in with the familiar vocabulary of a police procedural, Continuum isn't a western or a magical fantasy in disguise, but a sobering look at very contemporary questions. Much like the superlative Battlestar Galactica (only with a much smaller budget) it isn't afraid to address scary subjects. And yet it's still fun.
Best performances are by the leads Rachel Nichols and Erik Knudson, with a cast of great supporting actors. Nichols, as Kiera carries us with her admirably through all of the twists and turns. I believe the key here is an admirable restraint that keeps performances focused on creating convincing characters while opening the doorway to a dazzling array of narrative possibilities. Rather than relying on formulas the show gets more interesting as it goes along.
Although it draws one in with the familiar vocabulary of a police procedural, Continuum isn't a western or a magical fantasy in disguise, but a sobering look at very contemporary questions. Much like the superlative Battlestar Galactica (only with a much smaller budget) it isn't afraid to address scary subjects. And yet it's still fun.
Best performances are by the leads Rachel Nichols and Erik Knudson, with a cast of great supporting actors. Nichols, as Kiera carries us with her admirably through all of the twists and turns. I believe the key here is an admirable restraint that keeps performances focused on creating convincing characters while opening the doorway to a dazzling array of narrative possibilities. Rather than relying on formulas the show gets more interesting as it goes along.
- melcher-2001
- 16 de nov. de 2014
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Detalhes
- Tempo de duração45 minutos
- Cor
- Mixagem de som
- Proporção
- 16:9 HD
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