THE SON OF NO ONE implodes under its own weight. It is another variation of the tired good cop/bad cop theme and the sins of childhood theme. Despite the presence of a heady cast of high profile actors this story just never takes off. Perhaps that is partially due to the fact that the lead actor role is given to Channing Tatum who though he does show some gradual improvement in learning his acting skills remains a one dimensional character on the screen.
To keep it short, the plot can be condensed as follows: rookie cop Jonathan 'Milk' White (Channing Tatum) is assigned to the 118 Precinct in the same district where he grew up. The Precinct Captain (Ray Liotta) starts receiving anonymous letters about two unsolved murders that happened many years ago in the housing projects when Jonathan was just a kid. A reporter (Juliette Binouce) sees the letters as evidence for an inside cover-up of the two murders from Jonathan's childhood and a detective (Al Pacino) leads the 'investigation' with the corroborated intent of cover-up of police action. There are scenes of flashback to when the murders occurred and the perpetrator is indeed Jonathan as a kid (Jake Cherry) whose only friend is young Vinnie (Brian Gilbert) - the victims were abusive junkies but Jonathan has never been able to forget the gruesome facts. We jump back and forth in time: Jonathan is happily married to Kerry (Katie Holmes) and they have a loving daughter with petit mal seizure disorder. As the investigation proceeds Jonathan fears for his family's safety and for the safety of his old friend Vinnie (now Tracy Morgan). The ending is predictable and far too prolonged.
Despite the presence of Binoche, Pacino, Liotta and Holmes (and a group of very talented youngsters who play the leads as children) the story is just too drawn out and predictable and filled with violence to make it work. Dito Montiel wrote and directed.
Grady Harp
