Jack Harper, um reparador de drones trabalhando na Terra que foi devastada pela guerra com extraterrestres, começa a questionar o que sabe sobre sua missão e sobre si mesmo.Jack Harper, um reparador de drones trabalhando na Terra que foi devastada pela guerra com extraterrestres, começa a questionar o que sabe sobre sua missão e sobre si mesmo.Jack Harper, um reparador de drones trabalhando na Terra que foi devastada pela guerra com extraterrestres, começa a questionar o que sabe sobre sua missão e sobre si mesmo.
- Prêmios
- 1 vitória e 17 indicações no total
David Benyena
- Grow Hall Survivor
- (as David Madison)
John L. Armijo
- NASA Ground Control
- (não creditado)
Fileena Bahris
- Survivor
- (não creditado)
Joanne Bahris
- Tourist
- (não creditado)
Andrew Breland
- Survivor
- (não creditado)
Suri Cruise
- Jack's Daughter
- (não creditado)
Z. Dieterich
- Survivor
- (não creditado)
Paul Gunawan
- Survivor
- (não creditado)
Julie Hardin
- Librarian
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesThere were ten days of location shooting in Iceland, where daylight lasted virtually 24 hours. Joseph Kosinski wanted to make a film that was very much based in daylight, considering that a lot of classic sci-fi movies like Alien - O 8º Passageiro (1979) and Blade Runner - O Caçador de Androides (1982) were shot in near darkness.
- Erros de gravaçãoDuring the opening montage showing the aftermath of the war, the Washington Monument is tilted. The monument was constructed with over 36,000 marble blocks held together only with gravity and friction. There is no metal support structure, and no mortar was used. If the monument were to be tilted, it would fall apart.
- Citações
Jack Harper: If we have souls, they are made of the love we share... undimmed by time and bound by death.
- Cenas durante ou pós-créditosThe Universal logo features the Earth in its ruined state in 2077 in the film, with the logo's letters rusted.
The Tet space station is seen orbiting the world.
- Versões alternativasThe film's IMAX release presented the film open-matte, at an aspect ratio of 1.90:1, meaning there was more picture information visible in the top and bottom of the frame than in normal theaters and on home video.
- ConexõesFeatured in Projector: Oblivion (2013)
- Trilhas sonorasRamble On
Written by Robert Plant, Jimmy Page
Performed by Led Zeppelin
Courtesy of Atlantic Recording Corp.
By arrangement with Warner Music Group Film & TV Licensing
Avaliação em destaque
Reading through the previous reviews, I find myself agreeing with the negative reviews in one sense, but still disagreeing overall. I walked away quite liking this movie.
Most of the complaints are around technical/realism stupidities, or else being a rip-off of previous movies.
Re stupidities: there are plenty, most of the negative reviews are correct, but they miss the point, which is given a more or less silly premise, do the characters fulfill their struggle properly.
For me the answer is strong yes, I tend to respond to the emotions a movie is trying to convey, ultimately this is a story of loss and love, a nice universal theme that always resonates.
Given that theme, the movie's style, effects, music all worked really well to reinforce that. I liked all the performances.
Be careful about critiquing modern SF movies about technical stupidities too much. Most of these have a fatal flaw that would destroy most of them. How about the likelihood of star travel? OK, you have to grant that otherwise most SF movies pretty much fall flat.
But still, the basic premise is not realistic: a star faring race, searching for energy, is not going to bother going to earth for its water, that is so much more easily available anywhere else, energy itself is much more easily accessible without playing with water for fusion, just stay with your own star, mine your own asteroid belt or gas giants.
Sure, it makes no sense for the Tet to make and use human clones, but given that, do we have a good story? I think so.
To me, valid criticisms are when characters, immersed in their realities such as they are, do not act true to their nature. And thus a movie like Prometheus failed since there the highly trained biology experts acted like complete morons.
But that is not the case here. In this movie we have passion, loss, and love, the struggle to persevere.
Plus the drones looked really really cool.
Re copying other movies: get over it. This movie is distinct enough to feel its own. I saw and loved Moon (which granted is the better movie), but I enjoyed this one for what it was.
I think it helped for me to not see any trailers, and to come in with low expectations after hearing about bad reviews.
Most of the complaints are around technical/realism stupidities, or else being a rip-off of previous movies.
Re stupidities: there are plenty, most of the negative reviews are correct, but they miss the point, which is given a more or less silly premise, do the characters fulfill their struggle properly.
For me the answer is strong yes, I tend to respond to the emotions a movie is trying to convey, ultimately this is a story of loss and love, a nice universal theme that always resonates.
Given that theme, the movie's style, effects, music all worked really well to reinforce that. I liked all the performances.
Be careful about critiquing modern SF movies about technical stupidities too much. Most of these have a fatal flaw that would destroy most of them. How about the likelihood of star travel? OK, you have to grant that otherwise most SF movies pretty much fall flat.
But still, the basic premise is not realistic: a star faring race, searching for energy, is not going to bother going to earth for its water, that is so much more easily available anywhere else, energy itself is much more easily accessible without playing with water for fusion, just stay with your own star, mine your own asteroid belt or gas giants.
Sure, it makes no sense for the Tet to make and use human clones, but given that, do we have a good story? I think so.
To me, valid criticisms are when characters, immersed in their realities such as they are, do not act true to their nature. And thus a movie like Prometheus failed since there the highly trained biology experts acted like complete morons.
But that is not the case here. In this movie we have passion, loss, and love, the struggle to persevere.
Plus the drones looked really really cool.
Re copying other movies: get over it. This movie is distinct enough to feel its own. I saw and loved Moon (which granted is the better movie), but I enjoyed this one for what it was.
I think it helped for me to not see any trailers, and to come in with low expectations after hearing about bad reviews.
- rblaa
- 28 de set. de 2013
- Link permanente
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Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Oblivion: El tiempo del olvido
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 120.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 89.107.235
- Fim de semana de estreia nos EUA e Canadá
- US$ 37.054.485
- 21 de abr. de 2013
- Faturamento bruto mundial
- US$ 286.168.572
- Tempo de duração2 horas 4 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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