Ever since 2019, it seems like Liam Neeson has made starring in mediocre action thrillers somewhat of a habit. "Cold Pursuit" wasn't the best thriller ever, but with its black comedy and serviceable performances, it was unique enough that it warranted a viewing. "Honest Thief" and "The Marksman" were two films that I have begun to dislike more with each passing day - "Honest Thief" took an interesting concept and destroyed it with wooden acting, incomprehensible editing, and piss-poor, infrequent action sequences; "The Marksman" was just boring (and let's not even mention "The Ice Road," which is one of the most embarrassing things I've ever seen, second to my own reflection). With all of that said, "Blacklight" is kind of a remarkable film - remarkable that it was released in theatres instead of straight to DVD.
I knew this movie was going to be bad based on one specific thing - its director. Directed by Mark Williams, who also directed "Honest Thief," I should've taken Mr. Williams' name as a stark warning for me to avoid seeing this in theatres and instead do literally anything else with my time. "Blacklight" is less an action film and more of a political thriller, and when I say political thriller, I mean it is a movie where people have long, arduous, drawn out conversations about politics, politicians, and political espionage and conspiracy. I. E., this is a boring movie.
I found myself struggling, and failing, to stay awake while watching this. "Blacklight" is not an action movie - it is a movie where two people at a time (always two people at a time, the movie barely has any sequences where more than two people are talking to each other at the same time - must've been too expensive to film) talk to each other about dull and uninteresting topics. Director Mark Williams seems to not realize what makes dialogue engaging to watch; scene after scene, "Blacklight" depicts people conversing - now some of my favorite movies are full of interesting, tight dialogue. This movie is not.
But you don't care about the conversations! You're going to see this movie for its purported hard-edged, brutal action! You want to see Liam Neeson get down and dirty and do what he does best! In that case, you should go to your local Best Buy, buy "Taken," and watch that instead. "Blacklight" does not have much action in it, and when there is action, it's the most mediocre, generic, pedestrian action I've seen since the kung-fu film I made in middle school (shouts out to Albert). One compliment I can give is that the action is edited slightly better than it was in "Honest Thief." When fists are thrown you can see the hits connect, and the climactic gunfight is mildly exciting, and then inexplicably ruined by a drastic, random change in editing that turns the sequence into a borderline seizure inducing mess - seriously, if you have epilepsy, you're better off leaving the theatre at the start of the third act gunfight, and never returning.
Nowadays, going to watch a Liam Neeson movie is like returning home to an abusive spouse - they might end up surprising you with moments of genuine love and tenderness, but more often than not they'll beat you into submission. "Blacklight" beat me into submission. And in fact, I'm considering placing a restraining order on director Mark Williams. Liam's name used to mean something in the wild world of action films. "The Commuter," "Run All Night," and "Non-Stop" are three semi-recent Neeson films that are genuinely good, and of high quality. Now, Mr. Neeson is starring in direct to DVD embarrassments that legitimately make sitting at home and staring at the ceiling a more thrilling activity. In conclusion: It's God's own mystery why I spent $11 on this.
