Simon och ekarna

2011
Not Rated
2 h 2 min

AVALIAÇÃO DA IMDb

6,5/10

3,1 mil

SUA AVALIAÇÃO

An epic centered on two families and their friendship in Sweden's Gothenburg in the 1940s and 1950s. Told from the perspective of young Simon Larsson, who learns that he's an adopted child who has a Jewish father from Germany. After WWII Simon travels to explore his roots - a journey that leads to the basic mysteries of the human life.

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Drama

Adicionar um enredo no seu idiomaTwo boys come of age in Sweden during World War II.Two boys come of age in Sweden during World War II.Two boys come of age in Sweden during World War II.

Veja as informações de produção no IMDbPro

AVALIAÇÃO DA IMDb

6,5/10

3,1 mil

SUA AVALIAÇÃO

Veja as informações de produção no IMDbPro

Prêmios
- 4 vitórias e 12 indicações no total

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Curiosidades
Jan Josef Liefers could not speak a word swedish. He learned to speak the Sound of the lines.

Erros de gravação
When they visit the Berlin Jewish cemetery at the end, there is a headstone for someone who was murdered in a concentration camp. But there are no such headstones, as concentration camp victims' bodies were burned and disposed of in the camps, they weren't brought back to cemeteries for burial. I must disagree. There are numerous headstones in Jewish cemeteries in Germany that list the names and dates of people having died in concentration camps. Thus a stone like the one depicted in the film, may well have existed.

Trilhas sonoras
The Jewish Violinconcerto
Composed by Annette Focks
Performed by Max Wulfson - solo violine
Andre Peter - violin
Peter Bock - viola
Sebastian Selke- cello
Jorg Frohlich - double bass
Recorded and mixed by Jens Reule Dantas
MUSIC RECORDING STUDIO BERLIN Ufo Sound Studios

Two boys meet at school in Gothenburg 1939. They become friends. One is a Jew and one is supposed not to be. One is upper middle class and one comes from a working class background.

Quite much is foreseeable here, but the greatest problem is the acting. Not that it's disastrous or even bad during the circumstances, but there are plenty of anachronisms here. From the laboring father, who is something out of the 60s, more than 1939. To the boys, who have a way of staring into the camera, which is common-piece in every Swedish movie, which tries to portrait harsh times. Especially if it's the 40s. "Something is going on inside that boy". The problem is that we know exactly what, when he has those eyes.

That is disturbing and takes quality out of this film.