THE COMBINATION is the first Australian film to be shown in it's country of origin this year and it's already become a news story - not for it's quality but because there have been incidents between what we are told are Lebanese gang members and theatre staff.
It would be nice if the film were to prove something substantial. What it is however is a passable gang warfare subject, made without undue sensationalism (it is particularly timid with sex) and preaching anti violence. The inclusion of recent race riot TV actuality tells us they want to be taken seriously.
The film takes a predictable multicultural line with old Australia dismissed as football, beer and meat pies, as against the leather lounges and sumptuous Arab meals with music to which hard man writer-star Basha introduces so blonde object of his affections Bowen, who comes from a family where scotch on the rocks seems to be the main food item. The Lebanese gang has one Asian kid, though he does back off when it's time to face off with the so mean (white) drug pushers. Basha gets a job in a gym run by stand up aborigines. The white kids spit and mug solitary members of the other gang.
The dynamic of school yard gangs is better, though we can't but wonder when the kids get to do any study, even though younger brother Dirani does once make it as far as the library.
One note performances are strong and the Western Sydney setting is effective and still unfamiliar. Particularly choice are the pusher's neighbors urging Basha to blow the low life away in the film's most inventive scene.
It would be nice to say this independently financed item was a break away from the blandness of funded filming here. However it is formula and lacks the dynamism of US films that covered this area - the work of Phil Karlson or young Scorsese and particularly American HISTORY X which appears to have inspired plot elements.
Those involved attack with a determination that it would be nice to see rewarded with worthwhile careers but they have the dis-spiriting history of Astralian production against them.
