Na década de 1960, os humanos superpoderosos Charles Xavier e Erik trabalham juntos para encontrar outros como eles, mas a busca vingativa de Erik por um ambicioso mutante que arruinou sua v... Ler tudoNa década de 1960, os humanos superpoderosos Charles Xavier e Erik trabalham juntos para encontrar outros como eles, mas a busca vingativa de Erik por um ambicioso mutante que arruinou sua vida faz com que um cisma os divida.Na década de 1960, os humanos superpoderosos Charles Xavier e Erik trabalham juntos para encontrar outros como eles, mas a busca vingativa de Erik por um ambicioso mutante que arruinou sua vida faz com que um cisma os divida.
- Prêmios
- 22 vitórias e 40 indicações no total
- Janos Quested
- (as Alex González)
- …
Enredo
Você sabia?
- CuriosidadesTo prepare for his role as Charles Xavier, James McAvoy shaved his head. He soon learned that the filmmakers wanted Xavier to have a full head of hair in the prequel. Throughout the first month of filming McAvoy had to wear hair extensions. He finally shaved his head for X-Men: Apocalipse (2016).
- Erros de gravação(at around 59 mins) When Xavier and Erik were confronting Emma Frost in the Soviet Union, some might think that it would have been impossible for Erik to crack Emma's neck with the metal bed frame because diamond is one of the hardest substances known to man. Hardness does not prevent cracking. There are different types of material strengths. Diamond's hardness does not mean that it is invulnerable to all types of stress.
- Citações
Erik Lehnsherr: Excuse me, I'm Erik Lehnsherr.
Professor Charles Xavier: Charles Xavier.
Logan: Go fuck yourself.
- Cenas durante ou pós-créditosPart of the closing credits take place in a sequence of X-symbols, chromosomes and DNA strands (reminiscent of the opening credits to 007 Contra o Satânico Dr. No (1962)).
- ConexõesEdited into 5 Second Movies: X-Men: First Class (2011)
- Trilhas sonorasConcentration Camp
(from X-Men: O Filme (2000))
Written by Michael Kamen
Courtesy of Twentieth Century Fox Film Corporation
This film is to X2 what Godfather 2 was to the Godfather. Seriously, First Class is an exceptional "flashback" look that links the best of the X-Men trilogy to the past. Instead of DeNiro playing young Vito Corleone we get James McAvoy as young Charles Xavier. Marlon Brando and Patrick Stewart made their respective characters popular but both were more fleshed out by incredible younger talent. I'm not placing the X-Men film itself on a par with the Godfather but both have become legendary in their particular genre. I am, however, saying McAvoy has a bright future as a complex and talented actor. Just like the young cast of Godfather 2 was legendary, the young cast of First Class has many great days and projects ahead of them.
Love this entire cast but Michael Fassbender delivers the best performance with an amazing presence and command of the screen. Everyone was extraordinary. What many expected indeed happens. By that I mean every scene that Fassbender and McAvoy are in together absolutely sing. It won't surprise anyone to know that Kevin Bacon, Oliver Platt and Jennifer Lawrence are superb in supporting roles but Nicholas Hoult did stunning work as the Beast and deserves some love as well. January Jones and Rose Byrne are hot as can be but aren't just simple eye candy. Sure, the story is compelling and the action is amazing but the performances elevate this movie far above a common summer flick.
Movie of the year so far...
- Logan8888
- 23 de mai. de 2011
- Link permanente
Principais escolhas
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- X-Men: Primera generación
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 160.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 146.408.305
- Fim de semana de estreia nos EUA e Canadá
- US$ 55.101.604
- 5 de jun. de 2011
- Faturamento bruto mundial
- US$ 352.616.690
- Tempo de duração2 horas 11 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1