O Sequestro do Metrô 1 2 3

Título original: The Taking of Pelham 123

2009
14
1 h 46 min

AVALIAÇÃO DA IMDb

6,4/10

211 mil

SUA AVALIAÇÃO

John Travolta and Denzel Washington in O Sequestro do Metrô 1 2 3 (2009)

Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garbe (Washington) into a face-off with the mastermind behind the crime (Travolta).

Reproduzir trailer2:34

15 vídeos

99+ fotos

Action Crime Thriller

Homens armados sequestram um metrô na cidade de Nova York, mantêm os passageiros como reféns em troca de um resgate e transformam o dia do despachante Walter Garber em um confronto com o aut... Ler tudoHomens armados sequestram um metrô na cidade de Nova York, mantêm os passageiros como reféns em troca de um resgate e transformam o dia do despachante Walter Garber em um confronto com o autor intelectual do crime.Homens armados sequestram um metrô na cidade de Nova York, mantêm os passageiros como reféns em troca de um resgate e transformam o dia do despachante Walter Garber em um confronto com o autor intelectual do crime.

Direção
- Tony Scott
Roteiristas
- Brian Helgeland
- John Godey
Artistas

Veja as informações de produção no IMDbPro

AVALIAÇÃO DA IMDb

6,4/10

211 mil

SUA AVALIAÇÃO

Direção
- Tony Scott
Roteiristas
- Brian Helgeland
- John Godey
Artistas

Veja as informações de produção no IMDbPro

Prêmios
- 1 vitória e 7 indicações no total

Vídeos15

Trailer 2:34

The Taking of Pelham 123: Trailer #2

Trailer 2:33

The Taking of Pelham 123

Trailer 2:33

The Taking of Pelham 123

Clip 0:56

The Taking of Pelham 1 2 3 -- "Calling Pelham 1 2 3"

Clip 0:34

The Taking of Pelham 1 2 3 -- "Chase"

Clip 0:23

The Taking of Pelham 1 2 3 -- "Money Transfer"

Clip 0:56

The Taking of Pelham 1 2 3 -- "Milk"

Fotos129

+ 123

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Curiosidades
John Travolta chose not to promote the film with the rest of the cast because he was still reeling from the loss of his son Jett.

Erros de gravação
When Garber is instructed by Lt. Staley in the use of the Walther PPK .380 he is told that the safety is on when the lever is up and off when it is down. This is the opposite of the safety's actual operation. When the lever is up, exposing a red dot, the safety is off. When down it is in the SAFE position.

Citações
Ryder: [last lines, to Garber] You're my goddamn hero.

Cenas durante ou pós-créditos
The film starts with the picture way in the distance and it slowly approaches, making it appear as if the audience is in a subway tunnel.

Conexões
Featured in The 81st Annual Academy Awards (2009)

Trilhas sonoras
99 Problems
Written by Leslie West (as Leslie Weinstein), John Ventura, Norman Smart (as Norman Landsberg), Felix Pappalardi, Billy Squier, Ice-T (as Ice T), Alphonso Henderson and George Clinton (as George Clinton, Jr.)
Performed by Jay-Z
Courtesy of Roc-A-Fella Records/The Island Def Jam Music Group
Under license from Universal Music Enterprises
Contains a sample of "Long Red"
Performed by Mountain
Courtesy of Columbia Records
By Arrangement with Sony Music Entertainment
Also contains a sample of "The Big Beat"
Performed by Billy Squier
Courtesy of Capitol Records
Under license from EMI Film & Television Music

Avaliações de usuários391

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Avaliação em destaque

6/10

The Best Laid Plans...

A subway train is hijacked by armed gang, Ryder's the boss, he has New Jersey twang, there's three more with gun machines, in car one they all convene, uncoupling the rest, that sets the scene. A dialogue begins, with those up top, Walter Garber tries to bring it to a stop, then he's informed by mastermind, of the ransom they should find, ten million dollars is the price for hostage swap.

Remakes seldom, if ever are as good as the original incarnations, especially when said original, as in this example, is particularly good. Taking quite a few detours from that original story however does give it a bit of intrigue, the roles well performed, although the end of the line leaves a little to be desired. Worth watching after seeing the 1974 version, if for no other reason than to see how a simple structure with two great leads can hold your attention so elegantly from start to finish, and how variations on a theme can derail that elegance when done to excess.