Milk: A Voz da Igualdade

Título original: Milk

2008
16
2 h 8 min

AVALIAÇÃO DA IMDb

7,5/10

182 mil

SUA AVALIAÇÃO

POPULARIDADE

4.990

258

This is the theatrical trailer for Gus Van Sant's Milk.

Reproduzir trailer2:26

14 vídeos

99+ fotos

Docudrama Period Drama Political Drama Biography Drama History

A história de Harvey Milk e suas lutas como um ativista gay americano que lutou pelos direitos dos homossexuais e se tornou a primeira autoridade eleita abertamente gay da Califórnia.A história de Harvey Milk e suas lutas como um ativista gay americano que lutou pelos direitos dos homossexuais e se tornou a primeira autoridade eleita abertamente gay da Califórnia.A história de Harvey Milk e suas lutas como um ativista gay americano que lutou pelos direitos dos homossexuais e se tornou a primeira autoridade eleita abertamente gay da Califórnia.

Veja as informações de produção no IMDbPro

AVALIAÇÃO DA IMDb

7,5/10

182 mil

SUA AVALIAÇÃO

POPULARIDADE

4.990

258

Veja as informações de produção no IMDbPro

Ganhou 2 Oscars
- 66 vitórias e 145 indicações no total

Curiosidades
The filming location for Harvey Milk's business, Castro Camera, was the real storefront where the actual business had once been. At the time of filming (mid-2008), it was a gift shop called "Given"; the film crew worked with the owner of the gift shop to recreate the look of Milk's camera store inside the space and restored it to its 2008 appearance after filming.

Erros de gravação
When marchers leave the Castro and pull the trolley pole off a PCC streetcar, the destination sign says "F Market." The F Market line entered service on September 1, 1995, as a tourist line between the Castro and the Embarcadero.

Citações
Harvey Milk: [Voice Over, Last lines] I ask this... If there should be an assassination, I would hope that five, ten, one hundred, a thousand would rise. I would like to see every gay lawyer, every gay architect come out - - If a bullet should enter my brain, let that bullet destroy every closet door... And that's all. I ask for the movement to continue. Because it's not about personal gain, not about ego, not about power... it's about the "us's" out there. Not only gays, but the Blacks, the Asians, the disabled, the seniors, the us's. Without hope, the us's give up - I know you cannot live on hope alone, but without it, life is not worth living. So you, and you, and you... You gotta give em' hope... you gotta give em' hope.

Conexões
Featured in Siskel & Ebert & the Movies: Bolt/JCVD/Slumdog Millionaire/Quantum of Solace (2008)

Trilhas sonoras
Prelude No.7 in E Flat (The Well Tempered Clavier - Book 2 BWV 876)
Written by Johann Sebastian Bach
Arranged by Ward Swingle
Performed by The Swingles
Courtesy of Universal International Music, B.V.
Under license from Universal Music Enterprises

Avaliações de usuários340

Avaliar

Avaliação em destaque

Everything comes together in this one

Let's get one thing out of the way. Is it entertaining? And how! Sean Penn's best performance to date Oscar quality; Emile Hirsch riotously perfect (best "supporting?"); James Franco heartbreaking; Diego Luna, devastating; Josh Brolin, flawless. Not one false note in any of the actors a very complicated story unfolds with absolute clarity. I will be seeing this one again just for the screenplay. I was very gratified that no attempt is made to be "delicate" about Harvey Milk's personality, either his sex life or his out-sized ego, which perhaps ironically for some, makes him all the more heroic. The finest "political" film I think I've ever seen. It does more than dramatize a strong true story, it captures convincingly the truth about a whole political movement. (One that's as freshly active as today's headlines: Prop 6 or Prop 8 does it ever end?) There is an ease and familiarity to the "scene" to the historical period and place with very few, small anachronisms, as far as I could tell. This is also the most assured work of Gus Van Sant, a genuine film artist, who here delivers a complete drama with real visual style and brazen wit. The blending of documentary footage is the most seamless I can remember seeing anywhere. The crowd scenes are remarkable, and all of the location shooting miraculously right. For a couple of fast, fast hours, I felt as though I had spent a couple of days hilarious, intense, inspiring days immersed in 1970s San Francisco. This movie does what all movies should do. See it.