Haru Biru

"Haru Biru" has a great idea behind its production, the ideals to make a movie 'for young adults, by young adults' and to give a narrative of the norms and values of today's youth. The camera (shot on DV) delves into the lives of middle-class Malaysia, and many viewers would probably relate to the film.

The decision of the filmmakers to use images and shots which are considered taboo in Malaysian cinema is interesting. For example, the use of drugs is blatantly shown on the screen and both leading men smoked! Performances that stand out include that of Que Haidar who provides a good balance between being despicable and a victim. Eman Manan, a veteran in the local scene, also stands out, proving that acting is not limited to what you say on screen but the feeling the viewer gets when you appear on camera. The slightest facial expressions on Eman Manan reflect the vast experience this actor has had on camera.

"Haru Biru" is definitely the effort of a new breed of Malaysian filmmakers who are taking some chances with the medium and deserve some support. Haru Biru also is the first indie film shown in a mainstream theatre. And it is so raw, it's beautiful.