Bilbo Bolseiro, um relutante Hobbit, parte para a Montanha Solitária com um grupo espirituoso de anões para recuperar o lar e o ouro deles na montanha do dragão Smaug.Bilbo Bolseiro, um relutante Hobbit, parte para a Montanha Solitária com um grupo espirituoso de anões para recuperar o lar e o ouro deles na montanha do dragão Smaug.Bilbo Bolseiro, um relutante Hobbit, parte para a Montanha Solitária com um grupo espirituoso de anões para recuperar o lar e o ouro deles na montanha do dragão Smaug.
- Indicado a 3 Oscars
- 11 vitórias e 76 indicações no total
Enredo
Você sabia?
- CuriosidadesThe production team returned to the same shooting location for Hobbiton as they used in The Lord of the Rings trilogy. The land is part of a farm, which the owners allowed to be transformed into the Hobbiton set by The Lord of the Rings production crew in the late 1990s. After filming wrapped on the first trilogy, the farm's owners turned the land into a Tolkien tourism spot, offering guided tours of the Hobbiton set. With the crew from The Hobbit trilogy making improvements and additions to the aging Hobbiton set, the farm owners were happy to temporarily close down their tourism business, so filming could take place there again.
- Erros de gravaçãoWhen the party is captured by the Goblins and Bilbo crawls away, a Goblin's CGI foot passes through the bridge he's walking on.
- Citações
Galadriel: Mithrandir? Why the Halfling?
Gandalf: I don't know. Saruman believes that it is only great power that can hold evil in check. But that is not what I have found. I've found it is the small things, everyday deeds of ordinary folk that keeps the darkness at bay. Simple acts of kindness and love. Why Bilbo Baggins? Perhaps it is because I am afraid, and he gives me courage.
- Cenas durante ou pós-créditosLists the publishers for all of The Hobbit in all the different languages.
- Versões alternativasAlso shown in a 3D and 48 fps version, but the content is the same.
- ConexõesEdited into The Hobbit: An Unexpected Journey - Extended Edition Scenes (2013)
- Trilhas sonorasBlunt the Knives
Lyrics by J.R.R. Tolkien from "The Hobbit"
Music composed by Stephen Gallagher (as Stephen Gallagher)
Produced by Stephen Gallagher (as Stephen Gallagher)
Performed by Jed Brophy, Adam Brown, John Callen, Mark Hadlow, Peter Hambleton, Stephen Hunter, William Kircher, Graham McTavish, James Nesbitt, Dean O'Gorman, Ken Stott, Aidan Turner
With this in mind I did wonder why I watched it with a surprisingly detached air and why I wasn't able to get into it like I should have done. I had some reservations with the first film in the LotR trilogy but this seemed different because it certainly wasn't a lack of action and forward motion that gave me a problem here. Quite the opposite actually because, once the first 45 minutes or so are out of the way then the action set-pieces come thick and fast and noisy. The opening hints at the power of the dragon to come before settling down for a gentle reintroduction to the Shire and then the characters we will follow; this section I found a little longer than it should have been and I could have done with a bit less noisy banter from the Dwarfs, since the film would provide much more from them. The majority of the film is the journey (or at least that bit of it that this film covers) and it produces plenty of action with great special effects really well integrated into the live action. So visually and technically there is plenty here. Problem is that little of it felt urgent or tense and actually the delivery of the constant action does rather detract from it.
With Fellowship of the Ring, the group was smaller and the development of the plot better; additionally the action was more scaled down and comparatively simple. Here we have set-pieces where it feels like everything has been thrown at the screen and every inch of every frame has been filled with movement wherever possible. This tended to overwhelm me rather than draw me in though and in effect the noise prevented me really getting into it. Likewise by the time I had seen the characters survive impossible situations and defy gravity for the third or fourth time, the film sort of lost the ability to make me believe there was danger involved – which is a problem given I was already being pushed away by how busy and noisy it all was. Tellingly the scene that worked the best for me was with Gollum; this scene had tension, had uncertainity, had threat and did it all with small movements and dialogue; also worth noting that while Gollum is of course another special effect, you don't notice it in that scene because you are focused on the content instead of the visual.
The cast sort of fit into this approach as well. While everyone is fine and does as required, at times they do tend to become part of the noise and effects rather than being characters. Freeman is a good Bilbo and his mannerisms work well (which helps negate his limited range) while of course McKellen is always welcome. The dwarfs didn't make much of an impression on me though, even if they all looked the part and delivered a few laughs. The rest of the cast are all fine but to be honest the effects are the main stars here and technically it is very impressive even if it is a bit overdone at times.
I didn't dislike The Hobbit but at the same time I was disappointed in it. The action is noisy and busy but there isn't enough to draw me into the story or to make the action thrill me so much as it did overwhelm me. Hopefully the second film will see the characters and plots grow me on so that I am more emotionally bought into the films, but for this first one I must confess to being surprised by how much the film seemed content to have me watch from a distance rather than draw me in and engage me.
- bob the moo
- 25 de jan. de 2013
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- El Hobbit: Un viaje inesperado
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 180.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 303.030.651
- Fim de semana de estreia nos EUA e Canadá
- US$ 84.617.303
- 16 de dez. de 2012
- Faturamento bruto mundial
- US$ 1.017.107.150
- Tempo de duração2 horas 49 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1