Na era da Segunda Guerra Mundial, uma jovem, é envolvida em um perigoso jogo de intriga emocional com uma poderosa figura política.Na era da Segunda Guerra Mundial, uma jovem, é envolvida em um perigoso jogo de intriga emocional com uma poderosa figura política.Na era da Segunda Guerra Mundial, uma jovem, é envolvida em um perigoso jogo de intriga emocional com uma poderosa figura política.
- Indicado para 2 prêmios BAFTA
- 28 vitórias e 56 indicações no total
- Mr. Yee
- (as Tony Chiu Wai Leung)
- Old Wu
- (as Tsung-Hua Tuo)
- Lai Shu Jin
- (as Chih-ying Chu)
- Liang Jun Sheng
- (as Ko Yu-Luen)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesDirector Ang Lee made Tony Leung Chiu-wai study the performances of Marlon Brando in Último Tango em Paris (1972), Humphrey Bogart in No Silêncio da Noite (1950) and Richard Burton in Equus (1977), to give him a sense of wounded masculinity, which Lee felt was right for the character of Mr. Yee.
- Erros de gravaçãoIn the café scene where Mak Tai Tai is calling her comrades the ringer heard through the phone both times is a modern ringer, which wasn't used until the 1970s/early 1980s.
- Citações
Old Wu: Don't tell me what to do! You listen to me! Yee murdered my wife and both my children. But I could still eat with him at the same table! That's what an agent must be able to do! I'd like nothing better than to kill him with my own hands. But if letting him live another few days is valuable, then we must! Keep him hooked, and keep me informed. Don't do anything without my order. Remember... For an agent there is only one thing... Loyalty. To the party, to our leader, to our country. Understand?
Wong Chia Chi: Don't worry. I'll do whatever you say.
Old Wu: Good. Very good. All you need to do is keep him trapped. If you need anything...
Wong Chia Chi: What trap are you talking about? My body? What do you take him for? He knows better than you how to put on an act. He not only gets inside me... he worms his way into my heart like a snake. Deeper. All the way in. I take him in like a slave. I play my part faithfully... so I, too, can get to his heart. Every time... he hurts me until I bleed... and scream. Then he is satisfied. Then he feels alive. In the dark... only he knows it's all real.
Old Wu: That's enough.
Wong Chia Chi: That's why... That's why I can torture him until he can't stand it any longer... and still I go on until we collapse from exhaustion.
Old Wu: Enough!
Wong Chia Chi: And when he finally comes inside me, I think maybe this is it. Maybe this is when you'll rush in and shoot him in the back of the head... and his blood and brains will cover me!
Old Wu: Shut up!
- Versões alternativasAn R-Rated version was made for the home video market for sale in places that doesn't carry NC-17 films (e.g. supermarkets). The run-time of the R-rated version is only ~30 seconds less but features ~70 seconds of alternative footage to soften the rating.
- Trilhas sonorasKlavierstücke Op. 118 No. 2 Intermezzo
Composed by Johannes Brahms
Performed by Alain Planès
(p) 2007 Decca Label Group
Whatever misgivings there may be about it, this festival-winning film is a mesmerizing, rich experience. After 2 1/2 hours of being bombarded with a World War II love-and-hate story that's both exciting and dragging, chances are you will be still pinned to your seat, anxious to find out how it ends.
The "Crouching Tiger, Hidden Dragon" and "Brokeback Mountain" director has turned his attention to war-threatened Hong Kong in 1938 and Japanese-occupied Shanghai in 1942 (complete with a "safe Japanese zone"), seen through the eyes of a group of young Chinese resistance fighters.
Based on the late Chinese-American writer Eileen Chang's short story of the same name, the focus of "Se, jie" is the relationship between Mr. Yee, head of the ruthless Japanese-collaborator security forces (played by Tony Leung, leading man of some 80 films) and a young actress with the resistance, played by Wei Tang, in her very first film role.
They make a strange pair, both in the roles and as actors. Of the story - a cat-and-mouse game between the seductress/underground agent and the Japanese puppet/lord of life and death among the occupied - the less said the better in order to enjoy the movie. As actors, it's a veteran facing a new challenge and a novice who shows great skill and assurance.
Leung has always been a brooding, symphathetic, worn-but-handsome presence, especially in his collaborations with director Wong Kai War. Here, for the first time, he plays not just a heavy, an ugly character, but a scary, unhappy, murderous man, literally a dark figure, lurking in the shadows. It's a great performance, fully realizing both aspects of the character: the monster and the man.
Lee's love for the cinema classics is shown both in his use of excerpts from Hollywood greats (as the young actress frequents movie theaters) and in his creation of memorable images. This is a director with a painterly sensibility and the ability to transform objects into instantly memorable pictures. Never will you see mahjong again without recalling "Lust, Caution." Few of Lee's favorite classics can match the simple effectiveness of his final image here, of a sheet with slight depressions left by what rested on it shortly before: white on white, and yet meaningful and affecting.
Leung and Tang fairly monopolize the screen, but the rest of the large cast is outstanding, led by San Franciscan Joan Chang as Yee's wife, and the vivid individual characters in the resistance, including the American-born Chinese pop star Leehom Wang.
- janos451
- 29 de set. de 2007
- Link permanente
Principais escolhas
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Lust, Caution
- Locações de filme
- Ipoh, Perak, Malásia(students on the tram: Jalan Chung On Siew)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 15.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 4.604.982
- Fim de semana de estreia nos EUA e Canadá
- US$ 63.918
- 30 de set. de 2007
- Faturamento bruto mundial
- US$ 67.091.915
- Tempo de duração2 horas 37 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1