Um jovem conforta a esposa e os filhos de seu irmão mais velho depois que ele desaparece no Afeganistão.Um jovem conforta a esposa e os filhos de seu irmão mais velho depois que ele desaparece no Afeganistão.Um jovem conforta a esposa e os filhos de seu irmão mais velho depois que ele desaparece no Afeganistão.
- Prêmios
- 4 vitórias e 16 indicações no total
Patrick John Flueger
- Private Joe Willis
- (as Patrick Flueger)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesJake Gyllenhaal learned of the death of his close friend Heath Ledger while he was in the middle of shooting a scene for this film. Gyllenhaal immediately walked off set, and returned to finish the scene two days later. He then took a longer bereavement leave before he was ready to continue with the rest of his scenes.
- Erros de gravaçãoThe movie gives the location of the Marine Base as "Fort Mahlus". Only the US Army begins their bases with "Fort" (i.e. Fort Benning, Fort Bragg, etc). The US Marines begin their bases with "Camp" (i.e. Camp Pendleton, Camp Lejeune, etc).
- Citações
Sam Cahill: You know what I did to fucking get back to you?
Grace Cahill: No.
Sam Cahill: You fucking bitch! You know how he fucking suffered? He fucking suffered because of you! And what have you done to my fucking house and my fucking kids, Grace? You are fucking my brother!
Grace Cahill: Sam, you know I didn't.
Sam Cahill: You are fucking my brother in my fucking house!
- ConexõesFeatured in Late Show with David Letterman: Episode #17.52 (2009)
- Trilhas sonorasRocky Mountain Man
Written by David Manzanares
Performed by David James
Published and Recorded by David Manzanares (BMI)
Avaliação em destaque
Based on the Danish film, Brødre, Tobey Maguire plays Sam Cahill, a marine who goes off to Afghanistan and allegedly is killed in action. His brother Tommy, played by Jake Gyllenhaal, an ex-con, winds up looking after Sam's wife, Grace (Natalie Portman) and her daughters. As the story moves on, Tommy's negative attitude toward her and his outlook changes and their relationship develops. When Sam, who is found to be alive, returns home, there's a mixture of both joy and resentment among the characters, but to add, Sam has returned a changed and psychologically-damaged man.
The film mainly focuses on the family drama and relationships of the characters, inter-cut with scenes of Sam in action and imprisoned/tortured in Afghanistan. The progression of the plot takes its time to develop, but it feels organic. The characters feel real. While one could see the film as a criticism of war and the negative effects that war has on the family of veterans, the film is more a character-driven drama, and doesn't touch much into politics.
Admittedly, the plot itself isn't anything drastically new and one may imagine a plot like this in a made-for-TV drama if not for the emotional depth, intensity, and solid performances from Tobey Maguire, Jake Gyllenhaal, and Natalie Portman. One of the interesting plot points involve the brothers' father's (in a fine performance from Sam Shepard) favoritism for Sam, while looking down on Tommy as the "failure." The love/hate dynamics between the three are interesting and believable even as the two brothers go through drastic character changes.
Tobey Maguire's performance is particularly noteworthy as Sam, a marine and a loving husband who comes back transformed into a physically emaciated, psychologically-scarred, ticking time bomb. My image of Tobey as Spider-Man now feels like a distant memory especially in comparison to what he portrays here. The two children who play the two daughters of Sam in this film give very natural performances in their varied reactions to difficult situations around them. Jake Gyllenhaal does strong work as Tommy, whose character transformation makes us want to root for him, despite his shady beginnings and flaws. To top off, Natalie Portman is radiant here, turning in a poignant, complex performance as a mother of two, who must deal with the initial mourning of her husband, the joy of his return, and the messy aftermath. Ultimately, her nuanced performance is the glue that holds the film together and make the other characters matter, and one can't help but marvel at the maturity of her performance.
Directed by Jim Sheridan (The Boxer), this film is a great showcase for all performances involved, while portraying an engaging, intense story about familial loyalty, redemption, and difficult relationships. In the wrong hands, this film could've gone the route of the by-the-numbers Hollywood cliché, but as it is, it remains a solid drama. I give Brothers *** out of **** stars.
More of my reviews are update on http://twitter.com/d_art
The film mainly focuses on the family drama and relationships of the characters, inter-cut with scenes of Sam in action and imprisoned/tortured in Afghanistan. The progression of the plot takes its time to develop, but it feels organic. The characters feel real. While one could see the film as a criticism of war and the negative effects that war has on the family of veterans, the film is more a character-driven drama, and doesn't touch much into politics.
Admittedly, the plot itself isn't anything drastically new and one may imagine a plot like this in a made-for-TV drama if not for the emotional depth, intensity, and solid performances from Tobey Maguire, Jake Gyllenhaal, and Natalie Portman. One of the interesting plot points involve the brothers' father's (in a fine performance from Sam Shepard) favoritism for Sam, while looking down on Tommy as the "failure." The love/hate dynamics between the three are interesting and believable even as the two brothers go through drastic character changes.
Tobey Maguire's performance is particularly noteworthy as Sam, a marine and a loving husband who comes back transformed into a physically emaciated, psychologically-scarred, ticking time bomb. My image of Tobey as Spider-Man now feels like a distant memory especially in comparison to what he portrays here. The two children who play the two daughters of Sam in this film give very natural performances in their varied reactions to difficult situations around them. Jake Gyllenhaal does strong work as Tommy, whose character transformation makes us want to root for him, despite his shady beginnings and flaws. To top off, Natalie Portman is radiant here, turning in a poignant, complex performance as a mother of two, who must deal with the initial mourning of her husband, the joy of his return, and the messy aftermath. Ultimately, her nuanced performance is the glue that holds the film together and make the other characters matter, and one can't help but marvel at the maturity of her performance.
Directed by Jim Sheridan (The Boxer), this film is a great showcase for all performances involved, while portraying an engaging, intense story about familial loyalty, redemption, and difficult relationships. In the wrong hands, this film could've gone the route of the by-the-numbers Hollywood cliché, but as it is, it remains a solid drama. I give Brothers *** out of **** stars.
More of my reviews are update on http://twitter.com/d_art
- d_art
- 22 de fev. de 2010
- Link permanente
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Entre hermanos
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 26.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 28.544.157
- Fim de semana de estreia nos EUA e Canadá
- US$ 9.527.848
- 6 de dez. de 2009
- Faturamento bruto mundial
- US$ 43.474.578
- Tempo de duração1 hora 45 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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