Adicionar um enredo no seu idiomaAlbert DeSalvo (Mauro Lannini) embarks on a murderous crime spree.Albert DeSalvo (Mauro Lannini) embarks on a murderous crime spree.Albert DeSalvo (Mauro Lannini) embarks on a murderous crime spree.
- Direção
- Roteirista
- Artistas
Fotos
Meeghan Holaway
- Connie Tyler
- (as Beth Holloway)
Curtis Nysmith
- George Nassar
- (as Rawling Curtis)
Amelia Burke
- Karen Phillips
- (as Amelia Rose Burke)
DW Miller
- Doctor Styles
- (as D.W. Miller)
Renee Intlekofer
- Sarah Rouke
- (as Renee Madison Cole)
Enredo
Você sabia?
- CuriosidadesIn the 1st murder there is an ADT alarm sticker in the window although ADT didn't have home monitoring until the 1980's.
- Versões alternativasGerman retail version was cut by ca. 54 seconds to secure a "Not under 16" rating (nonetheless the DVD is rated "Not under 18" due to some bonus trailers).
- ConexõesVersion of O Homem Que Odiava as Mulheres (1968)
Avaliação em destaque
...it won't hurt you to see this movie.
It follows the conventional pattern of the persistent detective against the clever quasi-genius murderer, but in this case the detective is not willing to prove the guilt of a murderer trying to evade it, but rather the contrary.
Nothing spectacular in this film, but nothing so dreadful either. You won't remember this movie after you see it... ...but you won't feel you completely waste your idle time either.
The story is supposed to develop along many years, with the core in the sixties, a soft twist by the seventies, and a short epilogue by the beginning of the new millennium. But I have to confess that it looks to me as at least the eighties all the time, no way at any point the viewer will even consider that any of the action takes place in the sixties. Even more, if they tell you that it's contemporary it won't be hard to believe so. So there you have one weakness of this movie: lack of temporal credibility.
It's based on the true case that gives its name to the film, and the murdered represented here is actually the one accused, sentenced and killed in prison. The movie respects this but adds doubt about his culpability. This is the core of the plot and the reason-tyo-be of this movie.
Surpraisingly the third credited character (the beautiful and supportive detective's wife) the delicious Camille Lannan was not included in the profile. I've sent the update to make justice to this subtle beauty!
It follows the conventional pattern of the persistent detective against the clever quasi-genius murderer, but in this case the detective is not willing to prove the guilt of a murderer trying to evade it, but rather the contrary.
Nothing spectacular in this film, but nothing so dreadful either. You won't remember this movie after you see it... ...but you won't feel you completely waste your idle time either.
The story is supposed to develop along many years, with the core in the sixties, a soft twist by the seventies, and a short epilogue by the beginning of the new millennium. But I have to confess that it looks to me as at least the eighties all the time, no way at any point the viewer will even consider that any of the action takes place in the sixties. Even more, if they tell you that it's contemporary it won't be hard to believe so. So there you have one weakness of this movie: lack of temporal credibility.
It's based on the true case that gives its name to the film, and the murdered represented here is actually the one accused, sentenced and killed in prison. The movie respects this but adds doubt about his culpability. This is the core of the plot and the reason-tyo-be of this movie.
Surpraisingly the third credited character (the beautiful and supportive detective's wife) the delicious Camille Lannan was not included in the profile. I've sent the update to make justice to this subtle beauty!
- rebelphilos
- 8 de jun. de 2006
- Link permanente
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
- Tempo de duração1 hora 26 minutos
- Cor
- Proporção
- 1.85 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente