Um Anjo da Guarda (2005)

Elenco principal23

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Rie Rasmussen

Angel-A

Jamel Debbouze

André Moussah

Gilbert Melki

Franck

Serge Riaboukine

Pedro

Eric Balliet

Garde du corps Franck

Michel Bellot

Le planton US

Venus Boone

La mère d'Angela

Franck-Olivier Bonnet

Le dernier client
(as Franck Olivier Bonnet)

Michel Chesneau

Le flic commissariat

Olivier Claverie

Le sécrétaire US

Akim Colour

Le chef des malfrats

Tonio Descanvelle

Client Angela 2

Jérôme Guesdon

Le malfrat #3

Laurent Jumeaucourt

Le dragueur

Grigori Manoukov

Le serveur roumain

Jil Milan

Client Angela 1

Solange Milhaud

La femme de Saint-Lazare

Jean-Marc Montalto

Le réceptionniste
(as Jean-Marco Montalto)

Direção
- Luc Besson
Roteirista
- Luc Besson
Elenco e equipe completos
Produção, bilheteria e muito mais no IMDbPro

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Você sabia?

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Curiosidades
In real life, Jamel Debbouze lost the use of his right arm in an accident in 1990. This is why his character in the film keeps his hand in his pocket throughout.

Erros de gravação
When Andre climbs over the railing of the bridge, he's coat is fastened by a single button. Suddenly, when he watches the outgoing police car, there are more buttons fastened.

Citações
André: Who'd be dead if I hadn't saved you?
Angel-A: Who'd be dead if there wasn't anyone to save?

Cenas durante ou pós-créditos
The EuropaCorp logo is in black-and-white, fitting the film.

Conexões
Featured in The Films of Luc Besson (2016)

Trilhas sonoras
Crossroads
Performed by Eat

A beautiful, breathtakingly shot movie with a touching storyline. Besson often talks about his feminine side, and he is in full touch with it here. Those expecting another Nikita with lots of guns and car chases should look elsewhere. I'm sure they will find at least 10 other movies like that now in the multiplex, but nothing like this. Serious Besson fans will not be disappointed. Besson has filmed a Paris that is at the same time both beautiful and real. We see the beauty of Notre Dame, Parisian cafés, the city's bridges, but we also see its ugliness and the difficulty faced by those who do not fit the stereotype of what it means to be French. Anyone who has ever felt like a stranger in their own home will find a kindred spirit in Andre. It is a struggle to fit into a culture and a struggle to value one's self as a part of it.