Um agente conhecido como Agente 47 contratado por um grupo chamado "A Organização" é pego em uma conspiração política, que o encontra perseguido pela Interpol e pelas Forças Armadas russas e... Ler tudoUm agente conhecido como Agente 47 contratado por um grupo chamado "A Organização" é pego em uma conspiração política, que o encontra perseguido pela Interpol e pelas Forças Armadas russas enquanto ele cruza a Rússia e a Europa Oriental.Um agente conhecido como Agente 47 contratado por um grupo chamado "A Organização" é pego em uma conspiração política, que o encontra perseguido pela Interpol e pelas Forças Armadas russas enquanto ele cruza a Rússia e a Europa Oriental.
- Prêmios
- 2 vitórias no total
- Hitman #3
- (as Nicky Naude)
Enredo
Você sabia?
- CuriosidadesWhen Agent 47 jumps through the hotel window into the kids' room, they're playing Hitman: Blood Money (2006) for the PlayStation 2. (They're playing through "Death of a Showman", the training level.)
- Erros de gravaçãoInterpol headquarters is located in Lyons, France and not in London.
- Citações
Agent 47: Because that suitcase perfectly holds my Blaser Sniper Rifle, two .45s and a gag for irritating, talkative little girls like yourself. You want me to stop and get it out?
Nika Boronina: I don't know - you think we have time for foreplay?
- Cenas durante ou pós-créditosThe opening credits are interspersed with scenes from the childhood of the Hitman program members. These also feature individuals in monk-like robes and religious music, as if this were a holy calling, perhaps comparable to the Shaolin monks of historic fame (although they didn't involve guns).
- Versões alternativasThe Unrated version contains an extra 63 seconds of mostly violence.
- ConexõesEdited into Hitman: Deleted Scenes (2008)
- Trilhas sonorasAve Maria
Written by Franz Schubert
Apparently, the agent in the game is one of the 47th generation of clones, where the movie has him as the best of a collection of specially trained orphans. Instead of a name, he simply has the number 47.
I also liked the mashup, conventional as it is: Russian mafia, secret supercapable murder enterprise, worldwide conspiracy of priests. Its the spice of the priests that matters, after the Dan Brown conspiracy to make it seem ridiculous and taking the style out of it. It is easier somehow to believe a cabal lead by a Moscow Patriarch instead of the inept Rome.
The girl does what the girl is supposed to do: claim that she is sexually exploited, and then proceed to be exploited by us in much the same way. The assassin does what he is supposed to and does it well: show us unexpected ways that he can manipulate the world, anticipating coincidences and odd subplots. Our designated watcher, the typical American detective, also does his job: watching at a distance.
Why this film deserves a comment and others I see do not, is the way it ends. The form here is reverse noir. In noir, we have a hero, an everyman, who is manipulated by the world of the viewer. He is subject to cosmic coincidences that come not from any natural unfolding, but from our need to have a structured narrative. The watcher unconsciously manipulates the character.
In reverse noir, the character somehow can control the world, so that minor coincidences are anticipated, even controlled by a plan he has that we do not know. We, the viewer, are placed in the thing to be befuddled as we end up as the manipulated soul. I am not sure when this reversed form first appeared; I am hoping a reader can advise. But the form is common enough now to have some endemic problems, the most challenging of which is how to end the film.
This film does that admirably, and it can be said that all the automatic stuff in the middle of the film is arranged to set up this satisfactory ending. The film starts with the beginning of that ending, with the remainder an implicit flashback (meaning only that the story is recalled and not repeated aloud). The ending is set up emotionally as our hit man is incapable of controlling the world so far as a mate, a family. We see him tortured about this. Yes, it is a juvenile portrayal of such an emptiness, but we get it.
So the only way he can get the pleasure of a family is the same way we get the pleasure of killing scads of bad guys: by watching. So while for 90 minutes our detective has been our surrogate watcher, giving us expected thrills and surprises, we reverse once again at the end: now the hit man is the watcher of love and family. We know he will never approach 'the girl' or the detective again, but that he will watch, which we see him doing through the only instrument available, a rifle sight.
This is good writing my friends, where the screenwriter understands the form well enough to manipulate it and us. He was able to give the fanboys something; he was able to give the studio bosses their key elements (boobs, explosions, creation myth, societal anchoring); and yet he was able to give himself a cleverly well ended story. Of how many films can you say that? I see he is working on the next Bruce Willis 'Die Hard.' Bet it is well written too.
Ted's Evaluation -- 2 of 3: Has some interesting elements.
- tedg
- 21 de out. de 2011
- Link permanente
Principais escolhas
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Hitman - Agente 47
- Locações de filme
- St. Alexander Nevski Temple, Sófia, Bulgária(Cathedral Saint Aleksandar Nevski)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 24.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 39.687.694
- Fim de semana de estreia nos EUA e Canadá
- US$ 13.180.769
- 25 de nov. de 2007
- Faturamento bruto mundial
- US$ 101.276.318
- Tempo de duração1 hora 34 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1