Not Only But Always

Filme para televisão
2004
2 h

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Adicionar um enredo no seu idiomaThis affectionate documentary examines the turbulent partnership of Peter Cook and Dudley Moore, the double act that re-defined the comedy genre. It follows their beginnings in London's West... Ler tudoThis affectionate documentary examines the turbulent partnership of Peter Cook and Dudley Moore, the double act that re-defined the comedy genre. It follows their beginnings in London's West End through their rise to stardom which won them accolades but forced a wedge between the... Ler tudoThis affectionate documentary examines the turbulent partnership of Peter Cook and Dudley Moore, the double act that re-defined the comedy genre. It follows their beginnings in London's West End through their rise to stardom which won them accolades but forced a wedge between them.

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7,3/10

413

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Veja as informações de produção no IMDbPro

Ganhou 1 prêmio BAFTA
- 2 vitórias e 4 indicações no total

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Curiosidades
Many who knew the real Peter Cook and Dudley Moore objected to the way their long partnership was depicted in this heavily-fictionalized TV movie. Alan Bennett pointed out with considerable acerbity that Dudley Moore, far from being victimized by his university peers because of his working-class origins, was, in fact, enormously envied by them, partly because he was already a success in show business whilst still an undergraduate, and more especially because of his phenomenally active sex-life.

Erros de gravação
The film states that Cook and Moore's movie O Diabo é Meu Sócio (1967) went into production in 1969. In fact, it was released two years earlier.

Citações
[Peter discovers Dudley shagging a young woman in his dressing room when he should be getting ready to go on stage]
Peter Cook: If you *do* decide to come on stage, Dudley, make sure you take her off your penis first.

Conexões
References Not Only... But Also (1965)

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8/10

Superb central performance

After a slightly shaky start this dramatisation of the life of Peter Cook, centring on his relationship with his sometime comic partner Dudley Moore, became thoroughly engrossing. Credit must go to Rhys Ifans, an actor who I previously only knew as the irritating Welsh hippie type in Notting Hill, who caught the look, voice and mannerisms of Peter Cook perfectly. Aidan McArdle was also excellent as Dudley Moore, an amiable type who was put through hell by the self-loathing Cook. Terry Johnson's script was also very good; although some telescoping of incidents occurred, this can be excused in the name of dramatic license. In all an interesting look at a man with undoubted intelligence and talent who always wanted something more but was never sure what it was he was looking for.