O diretor Michael Moore investiga como os Estados Unidos se tornaram alvo de terroristas, a partir dos eventos ocorridos no atentado de 11 de setembro de 2001.O diretor Michael Moore investiga como os Estados Unidos se tornaram alvo de terroristas, a partir dos eventos ocorridos no atentado de 11 de setembro de 2001.O diretor Michael Moore investiga como os Estados Unidos se tornaram alvo de terroristas, a partir dos eventos ocorridos no atentado de 11 de setembro de 2001.
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- CuriosidadesAfter its official showing at the 2004 Cannes Film Festival the movie was given what has been called "the longest standing ovation in the history of the festival". Although the exact length of the applause is a matter of debate, journalists at the screening have reported it being in the area of 15 to 25 minutes.
- Erros de gravaçãoTowards the films end, Moore claims one member of Congress had a child in the armed forces. At the time, two members had children in the military.
- Citações
Narrator: George Orwell once wrote that, "It's not a matter of whether the war is not real, or if it is, Victory is not possible. The war is not meant to be won, it is meant to be continuous. Hierarchical society is only possible on the basis of poverty and ignorance. This new version is the past and no different past can ever have existed. In principle the war effort is always planned to keep society on the brink of starvation. The war is waged by the ruling group against its own subjects and its object is not the victory over either Eurasia or East Asia but to keep the very structure of society intact."
- Cenas durante ou pós-créditosThis film is dedicated to ... all the soldiers from the Flint area who have died in the Iraq war ... the 2,973 who died on 9/11/01 and the countless thousands who have died in Afghanistan and Iraq as a result of our actions.
- ConexõesEdited into Fahrenheit 11/9 (2018)
- Trilhas sonorasVacation
(1982)
Written by Charlotte Caffey, Kathy Valentine (as Kathryn Valentine), and Jane Wiedlin
Performed by The Go-Go's
Courtesy of IRS Records
Under license from EMI Film and Television Music
1. Fahrenheit 9/11 attracted the most racially integrated audience I've ever seen at an Atlanta movie theater, as well as the most age-diverse audience.
2. The audience was completely in tune with what Michael Moore was trying to do. When he wanted you to be mad, people were mad. When he wanted you to be upset, people were upset, and when he wanted you laugh, people laughed. And boy, did they laugh.
3. The audience cheered (loudly) upon the film's conclusion.
Truly a satisfying moment, to feel part of a community of people, if only for two hours, who recognized that the emperor indeed has no clothes.
Is Michael Moore manipulative? Of course- he's an editorial documentarian. Does he sometimes assume too much from too little information? Of course- he's a human being. That's what human beings do. Now, you may say, yes, it may be human nature to infer too much from too little information, but as a responsible artist, Michael Moore should get his ducks firmly in a row before trying to manipulate his audience. That being said, we have libel in slander laws in this country. If Michael Moore is so far off base, where are the lawsuits and defamation of character charges? Why won't Bush or his camp respond to any of the specific allegations of Fahrenheit 9/11? Why is that, in fact, they state an unwillingness even to see the film, and yet feel qualified to have a valid opinion of it? Now who's inferring too much from too little?
What is absolutely undeniable is that a) war is horrible, b) the United States of America went to war with Iraq for spurious reasons, c) we have been conspicuously unsuccessful in capturing Osama bin Laden, in part because bin Laden has no relationship whatsoever with Iraq, d) there have been many people who have benefited financially from the war, and those people have a long and in many cases sordid relationship with the Bush family, and e) Bush has used the 9/11 attacks as a way to advance an agenda that is completely unrelated to the attacks themselves, and to infringe on our civil rights. Any attempt to dissect Michael Moore's arguments fall flat when these basic facts are irrefutable.
Fahrenheit 9/11 is ultimately a highly entertaining and justifiably scathing review of the Presidency of George W. Bush, embarrassment to himself, our great nation, and, for that matter, to the entire human race. Please help vote this buffoon out of office before he can discredit our country further.
- alex-306
- 3 de jul. de 2004
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- How long is Fahrenheit 9/11?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- US$ 6.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 119.194.771
- Fim de semana de estreia nos EUA e Canadá
- US$ 23.920.637
- 27 de jun. de 2004
- Faturamento bruto mundial
- US$ 222.446.882
- Tempo de duração2 horas 2 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1