Superman reaparece após uma longa ausência, mas é desafiado por um velho inimigo que usa a tecnologia kryptoniana para dominar o mundo.Superman reaparece após uma longa ausência, mas é desafiado por um velho inimigo que usa a tecnologia kryptoniana para dominar o mundo.Superman reaparece após uma longa ausência, mas é desafiado por um velho inimigo que usa a tecnologia kryptoniana para dominar o mundo.
- Indicado a 1 Oscar
- 12 vitórias e 47 indicações no total
- Jor-El
- (cenas de arquivo)
- Ben Hubbard
- (cenas deletadas)
Enredo
Você sabia?
- CuriosidadesIn interviews, Kal Penn revealed he originally had a much greater role. It would have been revealed that his character was a disgraced former Daily Planet science reporter who was bribed by Lex Luthor to plant false evidence of Krypton's possible survival, thus inspiring Superman to leave Earth and explore Krypton's ruins.
- Erros de gravação(at around 1h 23 mins) When Lois is talking to Lex Luthor in the piano room on the boat, her engagement ring constantly moves from her ring finger to her middle finger between shots.
- Citações
Superman: [Quoting Marlon Brando/Jor-el from 1978's SUPERMAN:THE MOVIE to Jason asleep in his bed] You will be different, sometimes you'll feel like an outcast, but you'll never be alone. You will make my strength your own. You will see my life through your eyes, as your life will be seen through mine. The son becomes the father and the father becomes the son.
- Cenas durante ou pós-créditosThe opening credits are seen in a trip through space, from Krypton to Earth, in a manner reminiscent of the Superman: O Filme (1978) opening credits sequence.
- Versões alternativasIn the IMAX presentation, four scenes (totalling about 20 minutes) were converted from 2D to 3D: The flashback to Clark Kent's youth on the farm, the Shuttle/777 rescue, the rescue of the sinking ocean liner, and the final flyover before the credits. Bryan Singer developed a cue featuring an icon of Clark's glasses flashing in green at the bottom of the screen when it is time to put them on, and then with a red circle/slash over when it is time to take them off.
- ConexõesEdited from Superman: O Filme (1978)
- Trilhas sonorasQuando, Quando, Quando
Written by Pat Boone (as Charles E. Boone), Tony Renis and Alberto Testa
Performed by The Drifters
Courtesy of Atlantic Recording Corp.
By arrangement with Warner Music Group Film & TV Licensing
Brandon Routh- who, as Shaq pointed out at the film's premiere in less flowery language- sometimes appears to be Christopher Reeve reborn. Not in appearance and voice alone, but also in his representation of Clark Kent. Of course, this should not be too surprising seeing as he has admitted to studying Reeve's performances in the earlier Superman films.
Nonetheless, Brandon Routh is excellent in his own right. He "is" Superman as wholly and perfectly as Smallville's Tom Welling (who is, ironically 2 years older).
The other characters of the cast were as equally well -chosen. I had perhaps biased doubts about Kate Bosworth's portrayal of Lois Lane, but she does extremely well with the part. I had even more doubts about Kevin Spacey...I mean, come on, Kevin Spacey as Lex Luthor? To my delight, however, he did more than just shave his head to prepare for the challenging role.
Over an hour of the two and a half the film provided was spent with Superman "returning." Note, that I already have a slightly biased dislike of Superman. You can probably guess what that dislike concerns.
However, I found myself enjoying Superman's excessive showing off.
The movie in general is probably one of the most aesthetically pleasing superhero movies that I have ever seen. I usually hate to focus too much on good graphics, but the 3D scenes are done amazingly well most of the time. Superman's red underwear is lacking most of its usual luster and utterly underwearish shape, much to my relief. In fact, thanks to the perfect length of his cape and good use of the camera, we avoid even seeing it most of the time.
All this, combined with that classical Superman theme song, makes our hearts cry, "It's Superman!" with a surprising joy.
The problem is, despite the perfection found in the cast and direction, the plot is sadly lacking. Lex Luthor's plan is foolish, rash, and surprisingly cheap coming from someone of his caliber. Last I saw of the old Batman and Superman adventures TV show on Cartoon Network those years ago, Lex Luthor was a man devoted to subtle mechanics. He would do things, like destroy land by draining oil from the wrong areas, sell weapons to the enemies of metropolis. Mass destruction was never his goal, although people were inadvertently hurt by his methods. He had huge factories, all covered with lead so that Superman could not see inside, and worked tactfully with the enemies of Superman to bring about his demise.
The one villain who could have saved this movie- Metallo, a.k.a. "The Man With the Kryptonite Heart" was left out much to my disappointment.
Instead of either adding a more powerful villain or making Lex Luthor the intelligent- however insane- businessman that he is, they surrounded him with idiots and gave him a faux plan.
In this way, they insulted the intelligence of the audience. They perhaps thought that an involved, complicated plot was the wrong way to bring Superman back, and the movie was probably also geared to young children (despite it's PG-13 rating, which was not understandable to me as the movie was quite mild) who were just being introduced to the Man of Steel.
Despite these major flaws, though, now that they have gotten over "bringing Superman back" the seeds have been planted for an excellent sequel. Sequels usually make me wary and I do not want them, but ironically, with this movie of all things, I hope for one with absolute anticipation and excitement.
- MeloDee
- 9 de dez. de 2006
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Superman regresa
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 270.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 200.081.192
- Fim de semana de estreia nos EUA e Canadá
- US$ 52.535.096
- 2 de jul. de 2006
- Faturamento bruto mundial
- US$ 391.081.192
- Tempo de duração2 horas 34 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1