Filthy Little Whores

Sin City had many all-sex series in addition to its fine roster of story films, and this one went on to attract Bud Lee to the director's chair. For the first edition actor/director Chuck Martino is in charge and the result is standard-issue porn, with an emphasis on threesomes.

Brief set-up footage for each of five unrelated scenes is awkwardly done, with an all-too obvious interest on Martino's part to get on with the sex already. Euro hotties are in the cast to deliver plenty of anal sex, including lovely Monica Sweetheart and Daniella Rush, both of whom had co-starred the year before in the Marc Dorcell classic "12 Strokes to Midnight".

Monica is tremendous as always servicing both Dale DaBone and Cheyne Collins outdoors after they rudely interrupt her sunbathing. Rush is upstaged by breast-in-show Kianna Dior in a sequence that has director Martino breaking the fourth wall: the ladies are humping each other by the pool when Martino stroll in and points out his buddy the cameraman, whom they acknowledge but was previously the invisible source of the footage we're watching via video. This is the scene where Martino the auteur gets to indulge himself before the camera as sex stud in action.

The improvised dialog for the scenes is painful to watch, as even a vet like T.T. Boy (unrecognizable wearing glasses and bearing a buzz cut hair style) doesn't know to respond to the gibberish spoken to him prior to getting down by the pool with two blondes (Calli Cox and the unknown Michelle Katz) to hump them after their lesbian prelude.

Two wonderful players of the era April and Flick Shagwell team up opening scene to have Sapphic sex and then a solid three-way with Mark Davis in his garage after he quite easily picks them up while driving down the street.

Finale seems lifted from another project entirely, as a still photographer (Craig, billed as just Craig) humps his beautiful model (great Euro star Jodie Moore, billed as just Jody) in his makeshift studio - a very cheap set.

Not much content, merely exemplifying how ephemeral these all-sex videos are, even back in a creative period at the turn of this century.