Baby Boy - O Rei da Rua

Título original: Baby Boy

2001
18
2 h 10 min

AVALIAÇÃO DA IMDb

6,5/10

17 mil

SUA AVALIAÇÃO

Snoop Dogg and Tyrese Gibson in Baby Boy - O Rei da Rua (2001)

Home Video Trailer from Columbia Pictures

Reproduzir trailer2:32

12 vídeos

63 fotos

Crime Drama Romance Thriller

No centro-sul de Los Angeles, um afro-americano de 20 anos mal orientado, um "menino", enfrenta os compromissos da vida real.No centro-sul de Los Angeles, um afro-americano de 20 anos mal orientado, um "menino", enfrenta os compromissos da vida real.No centro-sul de Los Angeles, um afro-americano de 20 anos mal orientado, um "menino", enfrenta os compromissos da vida real.

Veja as informações de produção no IMDbPro

AVALIAÇÃO DA IMDb

6,5/10

17 mil

SUA AVALIAÇÃO

Veja as informações de produção no IMDbPro

Prêmios
- 1 vitória e 14 indicações no total

Woman Inside
(as Alex Wright)

Tyrese Gibson

Joseph Summers

Taraji P. Henson

Yvette

Omar Gooding

Sweetpea

Tamara Bass

Peanut
(as Tamara LaSeon Bass)

Candy Ann Brown

Ms. Herron
(as Candy Brown Houston)

A.J. Johnson

Juanita

Ving Rhames

Melvin 'Mel'

Snoop Dogg

Rodney

Angell Conwell

Kareem J. Grimes

Do Dirty
(as Kareem Grimes)

Tracey Cherelle Jones

Sharika

Kaylan Bolton

Joe Joe

Kylan Bolton

Joe Joe

Freez Luv

Cake Man

Mo'Nique

Patrice

Juanita Jennings

Rachel

Liris Crosse

Receptionist

Direção
- John Singleton
Roteirista
- John Singleton
Elenco e equipe completos
Produção, bilheteria e muito mais no IMDbPro

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Curiosidades
Jody listens to the song "Hail Mary" by Tupac Shakur and has a mural of him in his room. Tupac Shakur was originally supposed to play the role of Jody, but was fatally shot in a drive-by shooting in 1996.

Erros de gravação
When Yvette is walking back to her friend's car while holding her son and an umbrella, as she gets in the car, the umbrella is never retracted or put in the vehicle. It just vanishes.

Citações
Sweet Pea: Dear Lord, Please forgive us for all the sins we have brought upon us. And look down upon us with forgiveness for the the sins we will have in the future. I know you understand that niggas ain't perfect, but we try lord. We try to keep our heads up in bad times. This is a bad time, show us the way. And if you can't show us the way, then forgive us for being lost.

Cenas durante ou pós-créditos
From L.A. South Central Cinema, dealing a new hand. The new deal has struck again.

Versões alternativas
DVD features deleted scenes from the movie, plus bloopers and outtakes:
Love In The Afternoon: Jody and Peanut have sex.
A scene where Jody and Sweetpea slap box.
Jody and Yvette watch a lion documentary then he puts her to bed.
Jody and Yvette have a picinc in the park, he takes Jo-Jo to swing and checks out ladies
Juanita and Jody talk about the mantra
Back Then-Juanita and Melvin have a talk that leads to sex.
The Card Game: Melvin and his boys paly cards
Phone Calls: Yvette talks on the phone with Sharika and Rodney.
Don't Go There: Jody sells clothes to women and Yvette tells him no sex with coworkers.
That's What I Know: Juanita and Jody talk about Ray-Ray
The Break In: SweetPea and Do-Dirty break into a couples house.
Adam's Rib: Jody beats up Peanuts new man,Jody and Peanut break up the cops arrive and Melvin talks to Jody about Adam's rib.
Cold Bumper: Sweetpea and Jody talk to Kim.
Say Dip: Jody and Jo Jo play with a toy car and Tonio arrives in a real car.

Conexões
Featured in Siskel & Ebert & the Movies: Crazy/Beautiful/Baby Boy/Pootie Tang/Lost and Delirious/The Crimson Rivers/Himalaya (2001)

Trilhas sonoras
Summer Madness
Written by Robert 'Kool' Bell (as Robert Bell), Ronald Bell, George 'Funky' Brown (as George Brown),
Robert 'Spike' Mickens (as Robert Mickens), Claydes Smith, Alton Taylor,
, Dennis D.T. Thomas (as Dennis Thomas) and Ricky Westfield
Performed by Kool & The Gang
Courtesy of The Island Def Jam Music Group
Under license from Universal Music Enterprises

Avaliações de usuários87

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Avaliação em destaque

Singleton does not disappoint...

Despite (or maybe because of) the negative things I'd heard from friends and acquaintances, I decided to check BB out for myself. I was very glad I did.

It's basically a scaled-down version of Boyz in the Hood, with fewer characters allowing for more development. While it's not quite on the same level as Boyz, it's a very emotional drama that's thought provoking, sad, hilariously funny, and at times subtly disturbing.

After this, Boyz, and Shaft, I am anxiously awaiting John Singleton's next work.