Adicionar um enredo no seu idiomaA writer is hired to ghost-write the memoirs of the female head of a very wealthy--and sexually adventurous--family.A writer is hired to ghost-write the memoirs of the female head of a very wealthy--and sexually adventurous--family.A writer is hired to ghost-write the memoirs of the female head of a very wealthy--and sexually adventurous--family.
- Direção
- Roteirista
- Artistas
- Prêmios
- 5 vitórias e 12 indicações no total
Tina Marie
- Liza
- (as Victoria Jackson)
Veronica Hart
- Suzanne
- (as V. Hart)
Enredo
Você sabia?
- Citações
[after her daughter Claire's boyfriend Louis responds to Magda's invitation to come to her bedroom on Claire's sweet sixteen birthday]
Magda Balcourt: My poor little Claire, I'm saving her from you.
- ConexõesFollowed by Firestorm II: The Angel Blade (1987)
- Trilhas sonorasComing Back to Me
Written by D'Arcy Brooke
Avaliação em destaque
Director Cecil Howard's "Firestorm" is an intriguing blend of family melodrama, neo-noir, and steamy adult scenes. Released in 1984, the film stands as a defining example of 80s porn, offering a unique mix of storytelling and eroticism. While it has its share of flaws, "Firestorm" is an entertaining ride, especially for fans of the era's adult cinema.
The film's central plot revolves around a ghostwriter, Ken (played by Eric Edwards), who is hired to write a biography of a family matriarch, Kay Parker. However, the real draw is that Ken is also an incredibly skilled lover, leading to an underground network of wealthy women seeking his services. This intriguing premise sets the stage for a series of scorching sex scenes and a healthy dose of melodrama.
One of the film's standout performances comes from Rikki Harte, who delivers an amazing presence. Harte's interlude, where they break the fourth wall to declare that "my daddy was a master thief," is a memorable moment that adds a touch of fun and surprise to the film. It's an unexpected twist that enhances the overall enjoyment of the film.
The cinematography in "Firestorm" is lush and artistic, with clearly stylistic lighting choices that enhance the on-screen antics. The sound quality is also commendable, with consistent sound levels and original songs created specifically for the production. These technical aspects elevate the film and showcase Howard's attention to detail.
However, the film is not without its shortcomings. The non-linear narrative can be confusing, and the story feels convoluted at times. While the artistic merit is undeniable, there are some technical mishaps, such as lighting inconsistencies and a visible boom mic in a few scenes. These issues detract from the overall immersion and could have been addressed with more careful editing and attention to detail.
Despite its flaws, "Firestorm" remains a significant entry in the adult cinema landscape. The ensemble cast, which includes notable names like Kay Parker, Sharon Mitchell, and John Leslie, delivers strong performances that elevate the eroticism and storytelling. The film is universally acclaimed as one of the last great X-rated movies to be released theatrically, and it's easy to see why.
In conclusion, "Firestorm" is a fun and fearless foray into 80s adult cinema. While it may not be perfect, it embraces its melodrama, showcases stunning visuals, and delivers on the steamy scenes. Rikki Harte's performance is a highlight, and the film's unique blend of genres makes it a memorable watch. For fans of vintage erotica and those seeking a different cinematic experience, "Firestorm" is definitely worth checking out.
The film's central plot revolves around a ghostwriter, Ken (played by Eric Edwards), who is hired to write a biography of a family matriarch, Kay Parker. However, the real draw is that Ken is also an incredibly skilled lover, leading to an underground network of wealthy women seeking his services. This intriguing premise sets the stage for a series of scorching sex scenes and a healthy dose of melodrama.
One of the film's standout performances comes from Rikki Harte, who delivers an amazing presence. Harte's interlude, where they break the fourth wall to declare that "my daddy was a master thief," is a memorable moment that adds a touch of fun and surprise to the film. It's an unexpected twist that enhances the overall enjoyment of the film.
The cinematography in "Firestorm" is lush and artistic, with clearly stylistic lighting choices that enhance the on-screen antics. The sound quality is also commendable, with consistent sound levels and original songs created specifically for the production. These technical aspects elevate the film and showcase Howard's attention to detail.
However, the film is not without its shortcomings. The non-linear narrative can be confusing, and the story feels convoluted at times. While the artistic merit is undeniable, there are some technical mishaps, such as lighting inconsistencies and a visible boom mic in a few scenes. These issues detract from the overall immersion and could have been addressed with more careful editing and attention to detail.
Despite its flaws, "Firestorm" remains a significant entry in the adult cinema landscape. The ensemble cast, which includes notable names like Kay Parker, Sharon Mitchell, and John Leslie, delivers strong performances that elevate the eroticism and storytelling. The film is universally acclaimed as one of the last great X-rated movies to be released theatrically, and it's easy to see why.
In conclusion, "Firestorm" is a fun and fearless foray into 80s adult cinema. While it may not be perfect, it embraces its melodrama, showcases stunning visuals, and delivers on the steamy scenes. Rikki Harte's performance is a highlight, and the film's unique blend of genres makes it a memorable watch. For fans of vintage erotica and those seeking a different cinematic experience, "Firestorm" is definitely worth checking out.
- MajesticMane
- 10 de jun. de 2024
- Link permanente
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Detalhes
- Tempo de duração1 hora 45 minutos
- Cor
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