Um jornalista e seu advogado psicopata viajam para Las Vegas para uma série de aventuras psicodélicas.Um jornalista e seu advogado psicopata viajam para Las Vegas para uma série de aventuras psicodélicas.Um jornalista e seu advogado psicopata viajam para Las Vegas para uma série de aventuras psicodélicas.
- Prêmios
- 1 vitória e 3 indicações no total
Brian Le Baron
- Parking Attendant
- (as Brian LeBaron)
Enredo
Você sabia?
- CuriosidadesIn the book, Hunter S. Thompson listens to "Sympathy For The Devil" by The Rolling Stones. The rights to play it in the film were too expensive for the production's budget.
- Erros de gravaçãoDr. Gonzo spoofs the "Richard Nixon salute" when he gets on the plane at the end of the movie. Nixon didn't resign or do the classic "salute" until 1974.
- Citações
[watching Dr. Gonzo leave]
Raoul Duke: There he goes. One of God's own prototypes. A high-powered mutant of some kind never even considered for mass production. Too weird to live, and too rare to die.
- Cenas durante ou pós-créditosThe Ralph Steadman drawings from the book are put in with the credits, along with the Gonzo & Duke in the Red Shark picture that takes up the whole screen at the end.
- Versões alternativasThe US-label Criterion ordered director Terry Gilliam and author Hunter S. Thompson to create a special Director's Cut. This cut contains a scene that otherwise was only to be seen in part and only in the cinematic trailer. It shows events in retrospect that the main character Raoul Duke remembers fragmentarily when listening to the recorded conversations on his cassette recorder. Furthermore there is a slightly longer version of another scene shortly before that. There is a bit more conversation going on between Raoul and Dr. Gonzo when they want to leave because of the trouble the kidnapped Lucy (Christina Ricci) is causing. Director's Cut's Pal running time is 144.1 seconds (2:24 minutes) longer because of two extended scenes.--Quoted from movie-censorship.com
- Trilhas sonorasMy Favorite Things
Written by Richard Rodgers (as Richard Rogers) and Oscar Hammerstein II
Published by Williamson Music
Performed by The Lennon Sisters
Courtesy of Ranwood Records/ A Walk Music Group Co.
By arrangement with Warner Special Products
Avaliação em destaque
This is far from your everyday movie, and only for those with a deep appreciation for the diversity of film-making, or fans of Hunter S. Thompson. This does not mean those mentioned will enjoy it, although definitely respect the attempt. I personally found it fascinating. To portray a permanently drug induced state to the big screen was done with creativity and subtle humour. You could expect nothing less from director Terry Gilliam who has played such a massive role in the brilliant and original Monty Python works.
Having never read any of Hunter S. Thompson's work, I get the impression that justice is done for the adaptation to the big screen. An absolutely quality cast must be credited for this, ensuring a natural performance is achieved. Las Vegas which features strongly throughout the movie seems to be so appropriate when dealing with this subject matter, they just seem to go hand in hand.
Having never read any of Hunter S. Thompson's work, I get the impression that justice is done for the adaptation to the big screen. An absolutely quality cast must be credited for this, ensuring a natural performance is achieved. Las Vegas which features strongly throughout the movie seems to be so appropriate when dealing with this subject matter, they just seem to go hand in hand.
- daveisit
- 9 de jul. de 2005
- Link permanente
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Medo e Delírio em Las Vegas
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 18.500.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 10.680.275
- Fim de semana de estreia nos EUA e Canadá
- US$ 3.338.590
- 24 de mai. de 1998
- Faturamento bruto mundial
- US$ 10.680.275
- Tempo de duração1 hora 58 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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