Um trabalhador de uma clínica de aborto com uma herança especial é chamado a salvar a existência da humanidade, negada por dois anjos renegados que tentam explorar uma lagoa e reentrar no cé... Ler tudoUm trabalhador de uma clínica de aborto com uma herança especial é chamado a salvar a existência da humanidade, negada por dois anjos renegados que tentam explorar uma lagoa e reentrar no céu.Um trabalhador de uma clínica de aborto com uma herança especial é chamado a salvar a existência da humanidade, negada por dois anjos renegados que tentam explorar uma lagoa e reentrar no céu.
- Direção
- Roteirista
- Artistas
- Prêmios
- 8 indicações no total
Barret Hackney
- Stygian Triplet
- (as Barrett Hackney)
Brian O'Halloran
- Reporter
- (as Brian Christopher O'Halloran)
Marie Elena O'Brien
- Clinic Girl
- (cenas deletadas)
- (as MarieElena O'Brien)
Enredo
Você sabia?
- CuriosidadesWilliam Donohue of the Catholic League lambasted the film, and publicly protested against it for months, without actually seeing it. When his office called View Askew and requested a special screening so he could "speak about it intelligently," Kevin Smith responded "So what has he been doing the past six months?"
- Erros de gravação(at around 10 mins) When Bethany is at Mass, the priest says, following the homily, "Let us now rise for the recession of faith." The correct wording is "Let us rise for the profession of faith," which is then followed by the recital of the Apostles' Creed. This was most likely done to satirize and/or draw attention to the idea that people's faith had faltered at the time the film takes place (hence "recession").
- Cenas durante ou pós-créditosOpening text: Disclaimer: 1) a renunciation of any claim to or connection with; 2) disavowal; 3) a statement made to save one's own ass. Though it'll go without saying ten minutes or so into these proceedings, View Askew would like to state that this film is - from start to finish - a work of comedic fantasy, not to be taken seriously. To insist that any of what follows is incendiary or inflammatory is to miss our intention and pass undue judgment; and passing judgment is reserved for God and God alone (this goes for you film critics too...just kidding). So please - before you think about hurting someone over this trifle of a film, remember: even God has a sense of humor. Just look at the Platypus. Thank you and enjoy the show. P.S. We sincerely apologize to all Platypus enthusiasts out there who are offended by that thoughtless comment about the Platypi. We at View Askew respect the noble Platypus, and it is not our intention to slight these stupid creatures in any way. Thank you again and enjoy the show.
- Versões alternativasThe UK cinema version altered a line of dialogue to receive a 15 certificate. All video and DVD versions restore that line.
- ConexõesEdited into Dogma: Deleted Scenes (1999)
- Trilhas sonorasStill
Written and Performed by Alanis Morissette
Published by MCA Music, a division of Universal Studios, Inc./1974 Music (ASCAP)
Courtesy of Maverick Recording Company
Avaliação em destaque
...provided that people care about it.
Only Kevin Smith knows what his real intentions were when he penned the script for "Dogma". I read somewhere that this is a thinly veiled propaganda for catholic church, or Christianity in general.
I don't see it that way at all. First of all, the surface is not thin at all. There are layers and layers of clever gags, dark humor and satire in this ride of pursuit.
The main premise is relatively simple - two rogue (or rejected or whatever) angels live on through present day, still doing what they've been doing throughout the Bible and trying to get back to heaven. Their only way to do it is through a loophole in catholic dogma, which, if exploited, would prove that god is fallible. For that they must be stopped and an earthly creature is recruited for the task. There is little time and thus the pursuit begins. During it various biblical elements come into play through their present-day form.
To some "Dogma" was eternal biblical struggle relived and modernized to better adjust to modern viewers. There are some argument in favor of that view. I'd say that the sheer fact that it's a satire (some poignant moments notwithstanding) and the campiness of realization actually tell the opposite tale. They show how this stuff the legends are made from (and still worshiped) fares when viewed through a prism of real life.
The two archetypal angels may have been prosecutors of evil in the Bible, but in real life they are just two self-righteous angry mass murderers. A biblical monster is in real life just a pile of crap, a dangerous one but crap nevertheless. God may be an infallible, omnipresent, omnipowerful creature in the Bible, but in reality its set of values, rules and powers are more becoming of a pop star than of a being that supposedly created everything. In fact you have to wonder about the power of "god" that has to follow rules.
Other various gags and skits, such as the black apostle (13th one at that), play on a virgin working in an abortion clinic and the other ones only reinforce the sense of unsubtle ridicule. In that regard "Dogma" did and will repel many a religious viewers and stir certain controversy. But its subtle message that the whole story is ultimately meaningless might finally make some people question their beliefs at last.
Only Kevin Smith knows what his real intentions were when he penned the script for "Dogma". I read somewhere that this is a thinly veiled propaganda for catholic church, or Christianity in general.
I don't see it that way at all. First of all, the surface is not thin at all. There are layers and layers of clever gags, dark humor and satire in this ride of pursuit.
The main premise is relatively simple - two rogue (or rejected or whatever) angels live on through present day, still doing what they've been doing throughout the Bible and trying to get back to heaven. Their only way to do it is through a loophole in catholic dogma, which, if exploited, would prove that god is fallible. For that they must be stopped and an earthly creature is recruited for the task. There is little time and thus the pursuit begins. During it various biblical elements come into play through their present-day form.
To some "Dogma" was eternal biblical struggle relived and modernized to better adjust to modern viewers. There are some argument in favor of that view. I'd say that the sheer fact that it's a satire (some poignant moments notwithstanding) and the campiness of realization actually tell the opposite tale. They show how this stuff the legends are made from (and still worshiped) fares when viewed through a prism of real life.
The two archetypal angels may have been prosecutors of evil in the Bible, but in real life they are just two self-righteous angry mass murderers. A biblical monster is in real life just a pile of crap, a dangerous one but crap nevertheless. God may be an infallible, omnipresent, omnipowerful creature in the Bible, but in reality its set of values, rules and powers are more becoming of a pop star than of a being that supposedly created everything. In fact you have to wonder about the power of "god" that has to follow rules.
Other various gags and skits, such as the black apostle (13th one at that), play on a virgin working in an abortion clinic and the other ones only reinforce the sense of unsubtle ridicule. In that regard "Dogma" did and will repel many a religious viewers and stir certain controversy. But its subtle message that the whole story is ultimately meaningless might finally make some people question their beliefs at last.
- CherryBlossomBoy
- 18 de out. de 2009
- Link permanente
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Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Bearclaw
- Locações de filme
- St. Peter and Paul Catholic Church - Larimer Avenue, Pittsburgh, Pennsylvania, EUA(church at the end of the movie)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 10.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 30.652.890
- Fim de semana de estreia nos EUA e Canadá
- US$ 8.669.945
- 14 de nov. de 1999
- Faturamento bruto mundial
- US$ 31.430.896
- Tempo de duração2 horas 10 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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