Pulp Fiction: Tempo de Violência

Título original: Pulp Fiction

1994
18
2 h 34 min

AVALIAÇÃO DA IMDb

8,9/10

2,3 mi

SUA AVALIAÇÃO

POPULARIDADE

124

Uma Thurman in Pulp Fiction: Tempo de Violência (1994)

The lives of two mob hit men, a boxer, a gangster's wife, and a pair of diner bandits intertwine in four tales of violence and redemption.

Reproduzir trailer1:21

35 vídeos

99+ fotos

Dark Comedy Drug Crime Gangster Crime Drama

As vidas de dois assassinos da máfia, um boxeador, um gângster e sua esposa, e um par de bandidos se entrelaçam em quatro histórias de violência e redenção.As vidas de dois assassinos da máfia, um boxeador, um gângster e sua esposa, e um par de bandidos se entrelaçam em quatro histórias de violência e redenção.As vidas de dois assassinos da máfia, um boxeador, um gângster e sua esposa, e um par de bandidos se entrelaçam em quatro histórias de violência e redenção.

Veja as informações de produção no IMDbPro

AVALIAÇÃO DA IMDb

8,9/10

2,3 mi

SUA AVALIAÇÃO

POPULARIDADE

124

Veja as informações de produção no IMDbPro

Filme mais avaliado nº8

Ganhou 1 Oscar
- 69 vitórias e 72 indicações no total

Vídeos35

Trailer 1:21

Official Trailer

Clip 3:45

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Clip 2:44

A Guide to the Films of Quentin Tarantino

Clip 3:20

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Clip 1:32

Pulp Fiction | Anniversary Mashup

Clip 5:09

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Curiosidades
Quentin Tarantino: [long take] When Jules and Vincent step out of the elevator for their "foot massage" debate, we follow them all the way through the labyrinthine hallways to Brett's door, past Brett's to a window and finally, back to Brett's door, all in a single take.

Erros de gravação
In the beginning diner scene when Yolanda and Ringo are about to rob the place, Yolanda yells "...and I'll execute every motherfucking last one of you". At the ending diner scene (which should be the exact same), she yells "...and I'll execute every one of you motherfuckers". This is to show different perceptions of the same event. The first being Yolanda's and Ringo's and the last being Jules'

Citações
Mia: Don't you hate that?
Vincent: What?
Mia: Uncomfortable silences. Why do we feel it's necessary to yak about bullshit in order to be comfortable?
Vincent: I don't know. That's a good question.
Mia: That's when you know you've found somebody special. When you can just shut the fuck up for a minute and comfortably enjoy the silence.

Cenas durante ou pós-créditos
The coffee shop manager in the robbery scene at the end is credited as "Coffee Shop" because he is cut off as he speaks: "I am not a hero, I'm just a coffee shop--"

Versões alternativas
The Canadian DVD version of the film includes the two alternate scenes mentioned above, plus a few additional ones. A longer scene of Vincent Vega purchasing heroin at Lance (Eric Stoltz)'s house, complaining about how rude people are. Eric's character complains about how he had asked for directions one time and was given incorrect instructions. Another additional scene takes place in Esmarelda's cab, where Butch does a lengthier explanation of how he feels about killing the man in the boxing ring. The other scene included on this DVD takes place at the auto parts yard, where Winston Wolf and the yard owner's daughter flirt and make plans for breakfast. All of the deleted scenes are shown in a separate section of the DVD, introduced by Tarantino, and are not included in the actual film.

Conexões
Edited into You're Still Not Fooling Anybody (1997)

Trilhas sonoras
Misirlou
Written by Fred Wise, Milton Leeds, Bob Russell, and Nicholas Roubanis
Performed by Dick Dale & His Del-Tones
Courtesy of Rhino Records

Avaliações de usuários3.7K

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Avaliação em destaque

10/10

A masterpiece of screenwriting

This is Tarantino's masterpiece, there's no other way to say it. It has arguably one of the smartest scripts I've ever seen. The story, which is non-linear, is so well constructed it takes several viewings to grasp it all. The movie doesn't seem to be about any spesific thing, but there is a subtle hint of redemption as a central theme. The characters and preformances in this movie are practically perfect. This is still one of the best performances I've seen from Sam Jackson, and it's an outrage he didn't win an Oscar. Each scene has its own unique flavour and charm, every segment has its own arc while also tying into the main plot. The comedy is great, the serious moments are great, every word of dialogue is exciting despite seemingly not having any reason to exist. This movie is just such a great time, and I recommend it to everyone who loves movies. I cannot think of a single genuine flaw with it, and it will remain one of my favorite movies for a long time.