Meia Noite no Jardim do Bem e do Mal
Título original: Midnight in the Garden of Good and Evil
AVALIAÇÃO DA IMDb
6,6/10
42 mil
SUA AVALIAÇÃO
A missão de um repórter que visita uma cidade de repente passa a ser em torno do julgamento por assassinato de um milionário local, de quem ele se torna amigo.A missão de um repórter que visita uma cidade de repente passa a ser em torno do julgamento por assassinato de um milionário local, de quem ele se torna amigo.A missão de um repórter que visita uma cidade de repente passa a ser em torno do julgamento por assassinato de um milionário local, de quem ele se torna amigo.
- Prêmios
- 1 vitória e 4 indicações no total
Lady Chablis
- Chablis Deveau
- (as The Lady Chablis)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesWhile filming took place in the actual Mercer house, production could not find an insurance company that would underwrite the project given the extensive value of the antiques. All of the items seen in the movie are therefore replicas with the originals stowed in storage during filming.
- Erros de gravaçãoWhen Chablis is at the cotillion she asks a woman at the table to watch her purse. After dancing, getting a drink, and leaving, she never retrieves her purse.
- Citações
The Lady Chablis: It's like my mom always said: "Two tears in a bucket, motherfuck it."
John Kelso: I'll have to remember that one.
- Cenas durante ou pós-créditosClosing disclaimer: This film is based upon John Berendt's book "MIDNIGHT IN THE GARDEN OF GOOD AND EVIL". Dialogue and certain events and characters contained in the film were created for the purposes of dramatization.
- Versões alternativasThe UK Region 2 multi-DVD box set titled "CLINT EASTWOOD 35 YEARS, 35 FILMS" (EAN 5051892017114) released on August 16, 2010 makes reference to the inclusion of a Director's Cut. Eastwood has admitted to shooting a "love scene" between Kevin Spacey and Alison Eastwood and then cutting it from this film and although not confirmed it is suspected this is included to make some or all of the Director's Cut. The latter information sourced from http://www.screenit.com/movies/1997/midnight_in_the_garden_of_good_&_evil.html
- ConexõesFeatured in Eastwood on Eastwood (1997)
Avaliação em destaque
Definitely in that order. It increases comprehension. In fact, from reading some of the other reviews here, it may be the only way to enjoy this movie.
A great read; a better-than-I-expected screen adaptation. I had to see it, because I couldn't imagine how such a character-driven work would be handled on film. I will tell you that I was predisposed to think that it would not be handled well, but I was pleasantly surprised.
All in all, this movie manages to do a good job of condensing the book into a non-butt-busting film length, while remaining generally faithful to it. The length and the slowness of the movie are really the only ways to convey the meanderings of the book. It's part of the way this movie creates the slow Southern atmosphere that is such an integral part of the story. Savannah is a character in the book, and the only unifying force other than the author. It's easier to convey that in words than pictures, but Eastwood has done a good job of getting the point across here.
The casting is mostly great, particularly the supporting characters. Irma P. Hall's portrayal of Minerva is somehow soothing and slightly menacing, just as the woman seems in the book. I didn't know how the casting of the actual Chablis would affect the film, but she really delivers the goods without seeming like stunt casting.
I was irritated by what I felt were John's and Chablis' too-active roles in the court case, but I suppose I can understand the reasoning behind it. I don't have to like it, but I understand it. Just as irritating, and entirely disposable, was the romantic subplot. These two elements seemed out of the role of observer that Berendt makes for himself the book. Also, the Mandy character is sapped by taking a big, beautiful, interesting woman and making her a generic cute chick. Alison Eastwood does what she can with this bland creation, but I have a feeling that the movie character never would have been featured the book.
No, it's not the book, but no movie ever could be. A slavish adaptation would have been a truly boring film, not to mention way longer than this effort. (Can you say, "Just rent the AudioBook?") And no, it's not a twisting, turning thrill-ride, because the book isn't exactly jam-packed with plot. It is, however, a decent movie if viewed on its own terms and for its own merits. And after you've read the book.
A great read; a better-than-I-expected screen adaptation. I had to see it, because I couldn't imagine how such a character-driven work would be handled on film. I will tell you that I was predisposed to think that it would not be handled well, but I was pleasantly surprised.
All in all, this movie manages to do a good job of condensing the book into a non-butt-busting film length, while remaining generally faithful to it. The length and the slowness of the movie are really the only ways to convey the meanderings of the book. It's part of the way this movie creates the slow Southern atmosphere that is such an integral part of the story. Savannah is a character in the book, and the only unifying force other than the author. It's easier to convey that in words than pictures, but Eastwood has done a good job of getting the point across here.
The casting is mostly great, particularly the supporting characters. Irma P. Hall's portrayal of Minerva is somehow soothing and slightly menacing, just as the woman seems in the book. I didn't know how the casting of the actual Chablis would affect the film, but she really delivers the goods without seeming like stunt casting.
I was irritated by what I felt were John's and Chablis' too-active roles in the court case, but I suppose I can understand the reasoning behind it. I don't have to like it, but I understand it. Just as irritating, and entirely disposable, was the romantic subplot. These two elements seemed out of the role of observer that Berendt makes for himself the book. Also, the Mandy character is sapped by taking a big, beautiful, interesting woman and making her a generic cute chick. Alison Eastwood does what she can with this bland creation, but I have a feeling that the movie character never would have been featured the book.
No, it's not the book, but no movie ever could be. A slavish adaptation would have been a truly boring film, not to mention way longer than this effort. (Can you say, "Just rent the AudioBook?") And no, it's not a twisting, turning thrill-ride, because the book isn't exactly jam-packed with plot. It is, however, a decent movie if viewed on its own terms and for its own merits. And after you've read the book.
- lisado
- 3 de mar. de 1999
- Link permanente
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- How long is Midnight in the Garden of Good and Evil?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Midnight in the Garden of Good and Evil
- Locações de filme
- Mercer House - 429 Bull Street, Savannah, Geórgia, EUA(Williams' house)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 35.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 25.105.255
- Fim de semana de estreia nos EUA e Canadá
- US$ 5.233.658
- 23 de nov. de 1997
- Faturamento bruto mundial
- US$ 25.105.255
- Tempo de duração2 horas 35 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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By what name was Meia Noite no Jardim do Bem e do Mal (1997) officially released in India in Hindi?
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