A corrupção cresce em Los Angeles nos anos 50. Três policiais estão investigando uma série de assassinatos com sua própria marca de justiça.A corrupção cresce em Los Angeles nos anos 50. Três policiais estão investigando uma série de assassinatos com sua própria marca de justiça.A corrupção cresce em Los Angeles nos anos 50. Três policiais estão investigando uma série de assassinatos com sua própria marca de justiça.
- Ganhou 2 Oscars
- 91 vitórias e 86 indicações no total
Symba
- Jack's Dancing Partner
- (as Symba Smith)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesAt the time the film takes place, no building in Los Angeles was allowed to be taller than City Hall, so the cameras were placed at certain points so that any building taller than City Hall would not be seen.
- Erros de gravaçãoIn one shot, when Bud White is dangling the D.A. out the window, the actor's safety cable is visible.
- Citações
Captain Dudley Smith: I wouldn't trade places with Edmund Exley right now for all the whiskey in Ireland.
- Cenas durante ou pós-créditosAt the end of all the credits, there is a brief scene from "Badge of Honor" featuring a onscreen dedication in honor Sgt. who served as an advisor to the film. The scene shows a black-and-white closing moment of "Badge of Honor" with the credits as Badge of Honor actor (Matt McCoy) closes the door on the HOMICIDE office and walks sorrowfully away.
- Versões alternativasIn the Hong Kong television version, during the scene where Bud breaks into the interrogation room, the part where he removes all the bullets from the gun but one is removed for some reason. So it cuts straight from his coming into the room and then sticking the gun into the rapist's mouth without giving it a Russian roulette feel.
- Trilhas sonorasAc-cent-tchu-ate the Positive
Written by Johnny Mercer and Harold Arlen
Performed by Johnny Mercer
Courtesy of Capitol Records
Under license from EMI-Capitol Music Special Markets
Avaliação em destaque
What happens when a squad of corrupt cops in the 1950s explore a murder case from multiple angles and find their corruption coming back on them like chickens coming home to roost? Who will solve the crime? Who will survive and what will be left of them?
This movie is phenomenal. The only reason I didn't give it 10 out of 10 is because I didn't care for the ending (which I won't reveal). It's a world were Hollywood and law enforcement cross over and even the hookers want to be movie stars.
I have not read the Ellroy novels, but I have been told they are even more intricate than this film with a lot more backstory. I would watch a five or six hour version of this film. But even so, that is the strong point of this film: multiple stories that begin to overlap. Sure, others (Tarantino) have tried this, but I think this is the most expertly done conception I've seen yet.
Kevin Spacey's part as a Hollywood obsessed cop is beautiful and he fits the part to a tee. His role is supposed to be similar to Dean Martin and I can see that; Spacey again harnessed this kind of character when he made "Beyond the Sea". Spacey's role is the connection between the world of law and the world of fame.
Russell Crowe plays the "bad cop" who crosses the line with sheer thuggery and an attraction to a prostitute (Kim Basinger, who does a fine job being both alluring yet tasteful). His part was supposed to be for Michael Madsen (one of the greatest actors of all time for a cop/crook movie), but I think Crowe may have been the better choice. Who else can be a natural thug?
Guy Pearce... I was not sure how to take him. I have not enjoyed him ("Time Machine") and yet also loved him ("Memento"). In the beginning, I thought it would be another geeky Pearce role and I was a bit concerned. But as the film progresses, so does Pearce's character become more lovable and impressive. You'll agree.
Danny DeVito was okay and James Cromwell was insidiously delightful.
Brian Helgeland adapted this screenplay. You may know him best as the writer of "A Knight's Tale" and "The Order". The Order was crappy. But A Knight's Tale is fantastic. This, by far, will go down as his crowning achievement. He may as well call up Michael Bay and go retire in the South Seas where they'll never be found.
Simply put, this is the best film I've seen in at least a month (and I watch at least a movie a day). Maybe the best film I've seen all year. Don't set this movie aside, you need to put this on the top of your honeydew list.
This movie is phenomenal. The only reason I didn't give it 10 out of 10 is because I didn't care for the ending (which I won't reveal). It's a world were Hollywood and law enforcement cross over and even the hookers want to be movie stars.
I have not read the Ellroy novels, but I have been told they are even more intricate than this film with a lot more backstory. I would watch a five or six hour version of this film. But even so, that is the strong point of this film: multiple stories that begin to overlap. Sure, others (Tarantino) have tried this, but I think this is the most expertly done conception I've seen yet.
Kevin Spacey's part as a Hollywood obsessed cop is beautiful and he fits the part to a tee. His role is supposed to be similar to Dean Martin and I can see that; Spacey again harnessed this kind of character when he made "Beyond the Sea". Spacey's role is the connection between the world of law and the world of fame.
Russell Crowe plays the "bad cop" who crosses the line with sheer thuggery and an attraction to a prostitute (Kim Basinger, who does a fine job being both alluring yet tasteful). His part was supposed to be for Michael Madsen (one of the greatest actors of all time for a cop/crook movie), but I think Crowe may have been the better choice. Who else can be a natural thug?
Guy Pearce... I was not sure how to take him. I have not enjoyed him ("Time Machine") and yet also loved him ("Memento"). In the beginning, I thought it would be another geeky Pearce role and I was a bit concerned. But as the film progresses, so does Pearce's character become more lovable and impressive. You'll agree.
Danny DeVito was okay and James Cromwell was insidiously delightful.
Brian Helgeland adapted this screenplay. You may know him best as the writer of "A Knight's Tale" and "The Order". The Order was crappy. But A Knight's Tale is fantastic. This, by far, will go down as his crowning achievement. He may as well call up Michael Bay and go retire in the South Seas where they'll never be found.
Simply put, this is the best film I've seen in at least a month (and I watch at least a movie a day). Maybe the best film I've seen all year. Don't set this movie aside, you need to put this on the top of your honeydew list.
- gavin6942
- 17 de set. de 2006
- Link permanente
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Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Los Ángeles al desnudo
- Locações de filme
- The Lovell Health House - 4616 Dundee Drive, Los Feliz, Los Angeles, Califórnia, EUA(Pierce Patchett's house)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 35.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 64.616.940
- Fim de semana de estreia nos EUA e Canadá
- US$ 5.211.198
- 21 de set. de 1997
- Faturamento bruto mundial
- US$ 126.216.940
- Tempo de duração2 horas 18 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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What is the streaming release date of Los Angeles: Cidade Proibida (1997) in Canada?
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