Seis trabalhadores siderúrgicos desempregados formam um show de striptease.Seis trabalhadores siderúrgicos desempregados formam um show de striptease.Seis trabalhadores siderúrgicos desempregados formam um show de striptease.
- Ganhou 1 Oscar
- 37 vitórias e 35 indicações no total
Andrew Livingston
- Terry
- (as Andrew Livingstone)
Enredo
Você sabia?
- CuriosidadesRobert Carlyle has said that filming was chaotic and that 20th Century Fox were so unhappy with the first cut that they considered scrapping its theatrical release and going straight to video. Carlyle has stated that it was the hard work of producer Uberto Pasolini and editor Nick Moore that rescued the film.
- Erros de gravaçãoWhilst the guys are watching Flashdance: Em Ritmo de Embalo (1983), Dave criticizes the girl welding saying the mixture is all wrong and she's using too much acetylene. Shows how much he knows - she is actually arc welding.
- Cenas durante ou pós-créditosThe film shown behind the opening credits is "Sheffield...City on the move", made in 1971 for the Sheffield Publicity Department.
- Versões alternativasThere are two English versions of the film: one is the original UK version, the other is the US version which is partly re-dubbed to replace some British dialects and slang phrases.
- ConexõesEdited into Tough Guise: Violence, Media & the Crisis in Masculinity (1999)
Avaliação em destaque
Unemployment is no joke (as an ex-pat Brit living and sometimes working in the US, I can confirm that with a vengeance). But sometimes, with a little vision and a lot of confidence (or desperation - take your pick), you can either find a way out of the depths of despair, or at the very least lighten the load a little, even if only for a short time. You take your pleasure wherever you can find it.
This movie will undoubtedly strike chords with those who have been unemployed long term, especially in the north of England (or in the Midlands or indeed anywhere. Depression - economic, social or clinical - knows no boundaries).
It's a smile, unless of course it *doesn't* strike a chord with you. Then you'll see it as a politically charged documentary with a few unnecessary laughs that ring very hollow.
But this isn't another Boys from the Blackstuff and I don't think it ever intended to be. The characters in this story are less focussed on pleading "Gissajob" and more inclined to say "Gissasmile". There is social commentary, yes, and it's well made (in my opinion, obviously), but the bigger message, I think, is that when life sucks - and it can do, most of the time - you don't have to give in to the feelings of utter despair.
You can fight back, you can refuse to be bowed, and for everyone in the awful predicament of being willing and able to work but being unable to find anyone willing to give you a chance, there is the possibility of finding a ray of sunshine, even if only temporarily, in an otherwise grey and depressing condition.
And it's those little rays of sunshine that help to give you hope. A laugh here, a giggle there, a bit of extreme silliness once in a while - it all helps keep you sane.
And that's what is enjoyable about this movie: it's the story of a group of men trying to stay sane even if it means losing some of their dignity in the process. And the one thing you notice towards the end of the story - and it's certainly capable of being true of real life - is that in raising their own spirits, the main characters here also raise the spirits of those around them.
They also remind me of myself and some of my friends. I could see myself taking part in something like this, albeit reluctantly (since I'm pathologically shy), just for the hell of it.
And doing something just for the hell of it is what makes this movie one of my favourites.
This movie will undoubtedly strike chords with those who have been unemployed long term, especially in the north of England (or in the Midlands or indeed anywhere. Depression - economic, social or clinical - knows no boundaries).
It's a smile, unless of course it *doesn't* strike a chord with you. Then you'll see it as a politically charged documentary with a few unnecessary laughs that ring very hollow.
But this isn't another Boys from the Blackstuff and I don't think it ever intended to be. The characters in this story are less focussed on pleading "Gissajob" and more inclined to say "Gissasmile". There is social commentary, yes, and it's well made (in my opinion, obviously), but the bigger message, I think, is that when life sucks - and it can do, most of the time - you don't have to give in to the feelings of utter despair.
You can fight back, you can refuse to be bowed, and for everyone in the awful predicament of being willing and able to work but being unable to find anyone willing to give you a chance, there is the possibility of finding a ray of sunshine, even if only temporarily, in an otherwise grey and depressing condition.
And it's those little rays of sunshine that help to give you hope. A laugh here, a giggle there, a bit of extreme silliness once in a while - it all helps keep you sane.
And that's what is enjoyable about this movie: it's the story of a group of men trying to stay sane even if it means losing some of their dignity in the process. And the one thing you notice towards the end of the story - and it's certainly capable of being true of real life - is that in raising their own spirits, the main characters here also raise the spirits of those around them.
They also remind me of myself and some of my friends. I could see myself taking part in something like this, albeit reluctantly (since I'm pathologically shy), just for the hell of it.
And doing something just for the hell of it is what makes this movie one of my favourites.
- pcbrooks
- 1 de jan. de 2004
- Link permanente
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- How long is The Full Monty?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- Todo o nada
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 3.500.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 45.950.122
- Fim de semana de estreia nos EUA e Canadá
- US$ 176.585
- 17 de ago. de 1997
- Faturamento bruto mundial
- US$ 257.938.649
- Tempo de duração1 hora 31 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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