AVALIAÇÃO DA IMDb
4,6/10
3,9 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaDesert Storm vet who was killed in combat rises from the grave on July Fourth, to kill the unpatriotic citizens of his hometown, after some teens burn an American flag over his burial site.Desert Storm vet who was killed in combat rises from the grave on July Fourth, to kill the unpatriotic citizens of his hometown, after some teens burn an American flag over his burial site.Desert Storm vet who was killed in combat rises from the grave on July Fourth, to kill the unpatriotic citizens of his hometown, after some teens burn an American flag over his burial site.
David 'Shark' Fralick
- Master Sergeant Sam Harper
- (as David Shark Fralick)
Tom McFadden
- Mac Cronin
- (as Thom McFadden)
Enredo
Você sabia?
- CuriosidadesMadison Liora (the blonde woman in the towel) only agreed to do her brief nude scene if she got to keep one of the Uncle Sam masks after the film's production was finished.
- Erros de gravaçãoCannon balls like those being fired from the cannon by Jed do not explode, let alone explode a half dozen times as Leslie's home did.
- Cenas durante ou pós-créditosA poem is read aloud during the credits.
- Trilhas sonorasThe Stars and Stripes Forever
Composed by John Philip Sousa
Performed by Cincinnati Pops Orchestra (as The Cincinnati Pops Orchestra)
Conducted by Erich Kunzel
Courtesy of The Vox Music Group, A Division of Essex Entertainment, Inc.
Avaliação em destaque
I rented this in the mood for a really bad movie that I could rip to shreds but to my surprise, and despite what everyone else seems to think of it, it was actually quite good!
Yes, there are all kinds of B movie slip-ups (like school being in session in the middle of summer, the crippled and deformed blind kid who somehow has been equipped with a sixth sense after a fireworks accident the previous July 4th, and the casket being dropped off and kept in the sister's living room as if it were a new TV set or piece of furniture) but I found myself ignoring all the flaws because the actors had so much conviction in their roles, and because Lustig's camerawork was so fluid and put me under its spell. The image of that Uncle Sam on enormous stilts first peeping into some bedroom, then hobbling away from some mysterious pursuer is one of the most effective, haunting visuals I've seen in a long while.
I was aware of his reputation for sleazy shlock but the surprise here is how much restraint and sensitivity Lustig shows in so many of the scenes (though admittedly not all). Working with a typically insightful/erratic/cliched/inspired/absorbing/impossible-to-pigeonhole script by the infamous Larry Cohen, you can tell that they really have something on their mind here other than just another slasher film ripoff. There are wonderful, quiet scenes like the one where Isaac Hayes' one-legged veteran takes the impressionable kid aside and explains that killing machines like his Uncle Sam aren't heroes at all, or the one where Timothy Bottoms' grade school teacher is forced to defend his pacifist stance during the Vietnam War to a class of skeptical students. And there are just clever, little tongue-in-cheek details throughout that clue you in (if you're paying attention) to the fact that the filmmakers put real thought and consideration into the exercise.
Whatever external flaws it may have, beneath its goofy premise there's real merit here. This is a movie that possesses something which many of its big budget counterparts wish they had: a pulse.
Yes, there are all kinds of B movie slip-ups (like school being in session in the middle of summer, the crippled and deformed blind kid who somehow has been equipped with a sixth sense after a fireworks accident the previous July 4th, and the casket being dropped off and kept in the sister's living room as if it were a new TV set or piece of furniture) but I found myself ignoring all the flaws because the actors had so much conviction in their roles, and because Lustig's camerawork was so fluid and put me under its spell. The image of that Uncle Sam on enormous stilts first peeping into some bedroom, then hobbling away from some mysterious pursuer is one of the most effective, haunting visuals I've seen in a long while.
I was aware of his reputation for sleazy shlock but the surprise here is how much restraint and sensitivity Lustig shows in so many of the scenes (though admittedly not all). Working with a typically insightful/erratic/cliched/inspired/absorbing/impossible-to-pigeonhole script by the infamous Larry Cohen, you can tell that they really have something on their mind here other than just another slasher film ripoff. There are wonderful, quiet scenes like the one where Isaac Hayes' one-legged veteran takes the impressionable kid aside and explains that killing machines like his Uncle Sam aren't heroes at all, or the one where Timothy Bottoms' grade school teacher is forced to defend his pacifist stance during the Vietnam War to a class of skeptical students. And there are just clever, little tongue-in-cheek details throughout that clue you in (if you're paying attention) to the fact that the filmmakers put real thought and consideration into the exercise.
Whatever external flaws it may have, beneath its goofy premise there's real merit here. This is a movie that possesses something which many of its big budget counterparts wish they had: a pulse.
- abooboo-2
- 28 de out. de 2000
- Link permanente
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Mensageiro da Morte
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 2.000.000 (estimativa)
- Tempo de duração1 hora 29 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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