What Blood Shack was to Ray Dennis Steckler, Santa Claws is to a collective best refered to as "the makers of Night of the Living Dead, whose names weren't George A Romero". Its insultingly bad as an actual movie, but exerts a morbid curiosity as a kind of pseudo-documentary on the lives of those involved. If you want to see Night of the Living Dead actors decades after their brush with fame, Santa Claws trots out Marilyn Eastman, Karl Hardman, Bill Hinzman and John Russo, in scenes that look like they were shot in their own Pittsburgh homes and places of work. The younger cast is represented by lots of wannabe scream queens, and John Mowod, the male lead from Hinzman's Flesh Eater/Zombie Nosh. Mowod is chiefly memorable for his resemblance to both Paul McCartney and Sylvester Stallone, and should have probably sought out a career as a celebrity impersonator rather than an actor. Its all basically an excuse to publicize 'Scream Queens Illustrated' Russo's horror themed T&A mag that promoted the boobs, bums and careers of various Scream Queen actresses of the time. Santa Claws is mainly set at the Scream Queens Illustrated offices, where you get to see Hinzman and Hardman at their day jobs, shooting jerk off material for the magazine. Natch' the setting also allows for lingering shots of various Scream Queens Illustrated and Night of the Living Dead merchandise.
Occasionally Santa Claws remembers it is meant to be a horror film, and begrudgingly tears itself away from the T&A and self-promotion, in favour of focusing on a lackluster killer dressed in a Santa outfit who murders various secondary characters at the Scream Queens offices with a gardening fork. Barely anyone appears concerned by how sleazy and third rate they are portraying themselves as. The only possible exception being Scream Queen Debbie Rochon, whose role has the feel of a good publicity exercise. Not only is Rochon's character, Raven Quinn, portrayed as a scream queen with a heart of gold, but she is also a single mother whose life is being made a misery by her scumbag ex-husband (played by the Macca/Rambo lookalike) yet always makes herself available to even the most 'needy' of her fans. A credibility straining aspect to the film that also provides its biggest laugh. If you thought the Caroline Munro/Joe Spinell romance in Maniac was a little hard to swallow, here Rochon's character not only lets an unkempt, obviously obsessed, anti-social weirdo into her private life, but lets him babysit her kids as well !!!
