Estrada Perdida

Título original: Lost Highway

1997
12
2 h 14 min

AVALIAÇÃO DA IMDb

7,6/10

157 mil

SUA AVALIAÇÃO

POPULARIDADE

1.847

295

Patricia Arquette and Bill Pullman in Estrada Perdida (1997)

After a bizarre encounter at a party with a stranger, a jazz saxophonist is framed for the murder of his wife and sent to prison, where he inexplicably morphs into a young mechanic, gets released, and begins leading a new life.

Reproduzir trailer1:50

1 vídeo

99+ fotos

Psychological Thriller Drama Mystery Thriller

Depois de um encontro numa festa, o músico de Jazz se ve envolvido no assassinato duma mulher e é enviado a prisão.Depois de um encontro numa festa, o músico de Jazz se ve envolvido no assassinato duma mulher e é enviado a prisão.Depois de um encontro numa festa, o músico de Jazz se ve envolvido no assassinato duma mulher e é enviado a prisão.

Direção
- David Lynch
Roteiristas
- David Lynch
- Barry Gifford
Artistas

Veja as informações de produção no IMDbPro

AVALIAÇÃO DA IMDb

7,6/10

157 mil

SUA AVALIAÇÃO

POPULARIDADE

1.847

295

Direção
- David Lynch
Roteiristas
- David Lynch
- Barry Gifford
Artistas

Veja as informações de produção no IMDbPro

Prêmios
- 4 vitórias e 6 indicações no total

Vídeos1

Trailer 1:50

Official Trailer

Fotos156

+ 148

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Curiosidades
According to co-writer and director David Lynch, the first scene in the film is based on an incident that occurred in his own life. He claims his intercom buzzed early one morning and when he answered it, a voice on the other end that he didn't recognize said, "Dick Laurant is dead." However, by the time he got to the front of the house to look out the window, there was no one outside.

Erros de gravação
When Pete and Sheila are having sex in the car, external shots show the car parked alongside a wall in a dark, tree-covered section of street. Yet in interior shots, the wall is many metres away in the far background and is brightly illuminated.

Citações
Ed: Do you own a video camera?
Renee Madison: No. Fred hates them.
Fred Madison: I like to remember things my own way.
Ed: What do you mean by that?
Fred Madison: How I remembered them. Not necessarily the way they happened.

Cenas durante ou pós-créditos
A Real Trooper-Guadalupe Hurst

Versões alternativas
An unconfirmed report claims that a Director's Cut of the film exists which has a number of scenes deleted from the original 134 minute print. Some of the missing scenes include:
A breakfast scene with Fred and Renee where Fred asks her where she was when he phoned her from the jazz club the night before, and when she says that she never left the house all evening, his suspicions of her cheating on him intensifies.
Another scene of a third videotape arriving at Fred and Renee's house where they watch it and catch a glimpse of a cold-faced Fred on one frame. They phone the detectives Al and Lou again who pay them another visit.
A scene set in the morgue where the attendant, George, prepares an autopsy on Renee's mutilated body where he is joined by a tuxedo-clad medical examiner and the examiner's girlfriend, Joyce, which is immediately followed by a courtroom scene where Fred literally faints after hearing the jury forewoman read the guilty verdict and the judge's sentence of death, which is only heard in the original version.
A scene in a lingerie shop where two young women, Marian and Raquel, glimpsed only in the porno film at the end, talk about the Renee Madison murder and about the method of execution the state would use when they are interrupted by Andy who gestures for them to hurry up with their selections.
Another scene follows where Andy, Marian and Raquel are involved in a drugged-out threesome orgy at his house.
A prison scene where one inmate is shown being led out of his cell to the gas chamber with other prisoners taunting him and the guards preparing for the execution as if it was a formal gathering, plus another scene of Fred talking to the prison guards in the courtyard the next day.
A full scene of dialogue between the prison warden and Pete Dayton's parents, Candace and Bill, where they are told of their son's whereabouts and his physical condition where he has a hematoma on his forehead and blepharitis, redness around the eyes. Bill and Candace are elusive to the warden's questions about Pete's whereabouts for the last few days. Pete is then brought into the office where he doesn't respond to questions asked, and Bill and Candace are told that they can take him home. After they leave, the warden then makes a statement to reporters outside his office about the disappearance of Fred Madison from the prison.
Extended scenes of dialogue between Pete and his friends Steve V, Teddy, Carl and Lanie on their arrival at his house where Lanie shows them a scar on her abdomen from an operation she just had. Plus more dialogue as the four of them ride in Steve V's car, where they first arrive at a drive-in restaurant called Johnny's where they pick up Sheila and her two girlfriends and then drive to the bowling alley.
An extra scene of Pete riding up Van Nuys Boulevard at night on his motorcycle after Alice had phoned him to cancel their evening get-together. Pete arrives at Johnny's Drive-In where he meets with Steve V, Carl and Sheila where Pete responds awkward towards them as he is having a mysterious headache. Pete then savagely beats up two guys who try to pick up Sheila, much to her shock.
The telephone scene between Pete, Mr. Eddy and the Mystery Man is slightly extended with more dialogue with the Mystery Man telling Pete about him just killing some people and telling him more details about executions in the 'Far East' set to imply China during the Cultural Revolution.
A brief scene of Fred Madison checking into the Lost Highway Motel and walking towards Room 25 which he knows is right next to Room 26 where Renee and Mr. Eddy are.

Conexões
Edited into Zaum - Andare a parare: Apparire/sparire, essere/riessere: il trucco dell'anima e i fuochi d'artificio dell'immortalità (2011)

Trilhas sonoras
I'm Deranged
Written by David Bowie and Brian Eno
Courtesy of Tintoretto Music (BMI) and Upala Music (BMI)
Performed by David Bowie
Courtesy of Jones Music and Virgin Records America, Inc.

Avaliações de usuários565

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Avaliação em destaque

10/10

Dark, Violent, Surreal, Beautiful, Hallucinatory Masterpiece

Buckle your seat belts: this film is quite the ride. As so often with David Lynch's movies, 'Lost Highway' doesn't bother with a traditional narrative and follows its own, dreamlike (or nightmarish) logic. It is a wild, expressionist work of art, and while it starts on a slow, brooding note, the film soon explodes into a crazy, violent trip that hooks you competely and doesn't let up. My advice to people unfamiliar with Lynch's work is this: just enjoy the experience and let yourself be immersed. While it is fun to analyze Lynch's movies, especially his most surreal ones, they're not mysteries that require resolution in order to be enjoyed.

As for the filmmaking itself, the pacing is fantastic throughout, the cinematography outstanding and the cast of character actors like Bill Pullman, Robert Loggia and Patricia Arquette simply a joy to watch (especially Loggia gets to shine in a wonderfully over-the-top part). Another aspect that should not go unmentioned is the music. The orginal score by Angeolo Badalamenti (who is to Lynch what John Williams is to Spielberg) is hauntgingly beautiful, but equally important is the amazing soundtrack - featuring greats like David Bowie, Lou Reed, Rammstein, Marilyn Manson, Trent Reznor and more - which fits and enhances the images on screen perfectly.

As far as I'm concerned, this is Lynch at his best. 'Lost Highway' is a dark, violent, surreal, beautiful, hallucinatory masterpiece: 10 stars out of 10.

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