AVALIAÇÃO DA IMDb
7,6/10
39 mil
SUA AVALIAÇÃO
Uma funcionária de vinte e sete anos viaja para o campo enquanto recorda sua infância em Tóquio.Uma funcionária de vinte e sete anos viaja para o campo enquanto recorda sua infância em Tóquio.Uma funcionária de vinte e sete anos viaja para o campo enquanto recorda sua infância em Tóquio.
- Prêmios
- 1 vitória e 8 indicações no total
Toshirô Yanagiba
- Toshio
- (narração)
Yoko Honna
- Taeko (Child)
- (narração)
Mayumi Izuka
- Tsuneko
- (narração)
- (as Mayumi Iizuka)
Mei Oshitani
- Aiko
- (narração)
Megumi Komine
- Toko
- (narração)
Yukiyo Takizawa
- Rie
- (narração)
Masashi Ishikawa
- Soo
- (narração)
Yuuki Masuda
- Shuji Hirota
- (narração)
Michie Terada
- Mother
- (English version)
- (narração)
Masahiro Ito
- Father
- (narração)
Yorie Yamashita
- Nanako
- (narração)
Yuki Minowa
- Yaeko
- (narração)
Chie Kitagawa
- Grandmother
- (narração)
Sachiko Ishikawa
- Kiyoko
- (narração)
Masako Watanabe
- Naoko
- (narração)
Hirozumi Sato
- Abe
- (narração)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesThe movie is based on a manga series of comic vignettes of a small girl. The scenes in the film portraying Taeko as an adult were created by writer-director Isao Takahata. The adult scenes gave the entire film a plot and connected the original vignettes as recollections of her childhood, making it a cohesive whole.
- ConexõesFeatured in JesuOtaku Anime Reviews: Only Yesterday (2012)
- Trilhas sonorasCantec de nunta
Written by Gheorghe Zamfir (uncredited)
Performed by Gheorghe Zamfir and Ansamblul Ciocarlia
Courtesy of Electrecord Romania
Avaliação em destaque
Imagine a commonplace story in commonplace settings with a not so immensely interesting main character (a bit like you and me) and a pastoral kinda hippie-message... and it works!
This is another memory-thingie from Japan (they are obsessed with memory there, is that because of the Meiji period? who knows), from the genius who brought us Grave of the Fireflies.
The story's so simple: a young woman in her late 20s doesn't have any real problems, is kind of ready for the rest of her life to happen, but it's just not happening. Something seems to be in the way of her accepting the possibility of happiness in the simple things that she finds on her way, and that that might just be what she's looking for and therefore enough.
A trip to the countryside brings back memories of her childhood as the youngest of three in a middle-of the road household in late 60's Japan. The thing is, it is SO well-done. Often, films focus on the misery of this life and the sweet innocent splendor of youth. This one turns it upside down, and not by depicting a horrible childhood which has to be "taken care of". Just by looking at things the way a child does.
It's often the little things, that seem of no importance to adults, that mould a child, shape it's personality. The "small killings" so to speak. Events no one notices and no one readily remembers, but no one really forgets either. And when you remember them, they hurt in a way that you find unreasonable.
So with this film. The flashbacks of not really a "missed opportunity" childhood, but rather of small events that stuck, chills you and sometimes fills you with warmth. It suggests at the same time that though there might be events that made her what she is, she also always was who she is, and it's the interplay between who you are and what you encounter that shape your life. You might say "it might have gone a different way", but then again it didn't exactly because you are you. Very Tao if you ask me. How it ends... just go and find out.
The fact that the film, entirely inconspicuously, manages to pull it off to tell that in images, makes it great art. The subtitles are hazardous (sometimes too fast, too much on the screen...), but let that not spoil the splendor. Get out and rent it now. I bought it.
This is another memory-thingie from Japan (they are obsessed with memory there, is that because of the Meiji period? who knows), from the genius who brought us Grave of the Fireflies.
The story's so simple: a young woman in her late 20s doesn't have any real problems, is kind of ready for the rest of her life to happen, but it's just not happening. Something seems to be in the way of her accepting the possibility of happiness in the simple things that she finds on her way, and that that might just be what she's looking for and therefore enough.
A trip to the countryside brings back memories of her childhood as the youngest of three in a middle-of the road household in late 60's Japan. The thing is, it is SO well-done. Often, films focus on the misery of this life and the sweet innocent splendor of youth. This one turns it upside down, and not by depicting a horrible childhood which has to be "taken care of". Just by looking at things the way a child does.
It's often the little things, that seem of no importance to adults, that mould a child, shape it's personality. The "small killings" so to speak. Events no one notices and no one readily remembers, but no one really forgets either. And when you remember them, they hurt in a way that you find unreasonable.
So with this film. The flashbacks of not really a "missed opportunity" childhood, but rather of small events that stuck, chills you and sometimes fills you with warmth. It suggests at the same time that though there might be events that made her what she is, she also always was who she is, and it's the interplay between who you are and what you encounter that shape your life. You might say "it might have gone a different way", but then again it didn't exactly because you are you. Very Tao if you ask me. How it ends... just go and find out.
The fact that the film, entirely inconspicuously, manages to pull it off to tell that in images, makes it great art. The subtitles are hazardous (sometimes too fast, too much on the screen...), but let that not spoil the splendor. Get out and rent it now. I bought it.
- Boris-57
- 17 de nov. de 2004
- Link permanente
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Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Only Yesterday
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 453.243
- Fim de semana de estreia nos EUA e Canadá
- US$ 14.970
- 3 de jan. de 2016
- Faturamento bruto mundial
- US$ 608.562
- Tempo de duração1 hora 59 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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By what name was Memórias de Ontem (1991) officially released in Canada in French?
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