Bernardo e Bianca na Terra dos Cangurus

Título original: The Rescuers Down Under

1990
Livre
1 h 17 min

AVALIAÇÃO DA IMDb

6,8/10

49 mil

SUA AVALIAÇÃO

POPULARIDADE

4.132

Eva Gabor, Bob Newhart, Tristan Rogers, Adam Ryen, and Frank Welker in O Príncipe e o Mendigo (1990)

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Adicionar um enredo no seu idiomaR.A.S. agents Miss Bianca and Bernard race to Australia to save a little boy and a rare golden eagle from a murderous poacher.R.A.S. agents Miss Bianca and Bernard race to Australia to save a little boy and a rare golden eagle from a murderous poacher.R.A.S. agents Miss Bianca and Bernard race to Australia to save a little boy and a rare golden eagle from a murderous poacher.

Veja as informações de produção no IMDbPro

AVALIAÇÃO DA IMDb

6,8/10

49 mil

SUA AVALIAÇÃO

POPULARIDADE

4.132

Veja as informações de produção no IMDbPro

Prêmios
- 6 vitórias no total

Bernard
(narração)

Eva Gabor

Miss Bianca
(narração)

John Candy

Wilbur
(narração)

Tristan Rogers

Jake
(narração)

Adam Ryen

Cody
(narração)

George C. Scott

McLeach
(narração)

Wayne Robson

Frank
(narração)

Douglas Seale

Krebbs
(narração)

Frank Welker

Joanna
(narração)

Bernard Fox

Chairman
(narração)
…

Peter Firth

Red
(narração)

Billy Barty

Baitmouse
(narração)

Ed Gilbert

Francois
(narração)

Carla Meyer

Faloo
(narração)
…

Russi Taylor

Nurse Mouse
(narração)

Linda Gary

Mother Koala
(não creditado)

Enredo

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Curiosidades
The producers wanted to have all the voice actors from Bernardo e Bianca (1977) reprise their roles for the sequel. However, in the original, Orville the albatross was voiced by Jim Jordan, who died two years before this film was released. The producers didn't want to replace Jordan, so Orville was replaced with the character's brother Wilbur, voiced by John Candy. This is a reference to Orville Wright and Wilbur Wright, the inventors and pilots of the first functional airplane.

Erros de gravação
When the French bug, Francois, first greets Bianca at the fancy restaurant, he calls her "Mademoiselle Bianca." After they finish their conversation, he says, "Allow me, Madame." In French, "Mademoiselle" is used for a single woman, and "Madame" for a married or widowed woman (or for very formal address). A native French speaker, as Francois is meant to be, would never use them interchangeably.

Citações
McLeach: I didn't make it all the way through third grade for nothing.

Cenas durante ou pós-créditos
This movie doesn't end with the Walt Disney Pictures logo, only the credits "This motion picture was created by Walt Disney Pictures" and "Distributed by Buena Vista Pictures Distribution, Inc."

Versões alternativas
In the French version of the movie (which was made in 1991), the beautiful Anne Meson-Poliakoff's Pop song "Bernard Et Bianca Au Pays Des Kangourous" can be heard during the ending credits with Patrice Tison on lead guitar, Bernard Paganotti on bass, Jean-Jacques Milteau on harmonica, Alex Perdigon, Kako Bessot and Patrick Bourgoin on brass ensemble and Charly Doll on drums & percussions. However she and the other musicians appear to be uncredited.

Conexões
Edited into Curtas Animados Zen: Flight (2020)

Trilhas sonoras
Main Title
Composed by Bruce Broughton

Avaliações de usuários114

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Avaliação em destaque

10/10

Underappreciated Gem

I have always been one of the, maybe, eight or nine big fans of this movie and I have only one small question about it.

WHY CAN'T THEY MAKE MORE LIKE THIS???

If you have not seen this movie yet, you must. It's the first Disney movie to use fully rendered CGI backgrounds throughout and you definately get the sense that the animators wanted to play with this new method. What I'm getting at is that some of you may want to down some motion sickness medicine first.

There are *no* song and dance numbers. Reason being that this is a surprisingly dark, more emotionally complex story for a Disney movie. They went out on a limb and chose not to break the tone up too much.

This is the number two Lost Disney Movie (number one, without a doubt, is "the Hunchback of Notre Dame", which I also love). It's own creators barely acknowledge its existance. The very best evidence of this is on the new video release box's plot summary, where a MAJOR character's gender is misidentified.

On the other hand, I sort of enjoy the idea of a "cult" Disney movie. Instead of marketing "Down Under" to death, Disney can only be accused of the opposite mistake.

So, anyway, here I go again running to this movie's defence. I'll tackle the one major critisism of it before I go. Many critics were expecting another "Rescuers". In my humble opinion, these two movies are two entirely different animals. The original "Rescuers" is an example of where Disney was in the sixties and seventies. "Down Under" is a time capsule of late eighties, early nineties Disney. In other words, you can't really say that one is better than the other as the only thing they have in common are three characters (what I'm getting at is that this should be thought of more as "Rescue Aid Society: the Next Generation").

By the way, I've got an idea that I'm just going to throw out to the proverbial wolves here. Why not make more "Rescuers" movies instead of sequels to Disney movies where follow-up stories make no sence? They are sitting on one heck of a potential franchise here. Just thought I'd let you know.