Um repórter viaja para uma pequena cidade onde sua mãe foi presa pelo homicídio de uma mulher idosa para quem ela trabalha como empregada doméstica.Um repórter viaja para uma pequena cidade onde sua mãe foi presa pelo homicídio de uma mulher idosa para quem ela trabalha como empregada doméstica.Um repórter viaja para uma pequena cidade onde sua mãe foi presa pelo homicídio de uma mulher idosa para quem ela trabalha como empregada doméstica.
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- 1 vitória e 8 indicações no total
Vernon Steel
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Você sabia?
- CuriosidadesKathy Bates' favorite movie role of her career.
- Erros de gravaçãoA scene shows Dolores driving the night before a total solar eclipse. The scene shows a full moon, which is impossible since a full moon cannot occur less than 14 days before a total solar eclipse.
- Citações
Vera Donovan: Sometimes, Dolores... sometimes you have to be a high-riding bitch, to survive... Sometimes, being a bitch, is all a woman has to hang onto.
- ConexõesEdited from O Poderoso Chefão: Parte III (1990)
- Trilhas sonorasHappy Days Are Here Again
Written by Milton Ager and Jack Yellen
Avaliação em destaque
Dolores Claiborne is directed by Taylor Hackford and adapted to screenplay by Tony Gilroy from the novel of the same name written by Stephen King. It stars Kathy Bates, Jennifer Jason Leigh, David Strathairn, John C. Riley, Christopher Plummer and Judy Parfitt. Music is scored by Danny Elfman and cinematography by Gabriel Beristain.
Plot sees Leigh as Selena St. George, a big-city reporter who travels to her home town island in Maine when her mother is accused of murdering the elderly woman that she was caring for. Her estranged mother, Dolores (Bates), is also widely suspected to have killed her husband and Selena's father some 20 years earlier, even though that was ruled as an accident. As mother and daughter come together, secrets of the past merge with the harshness of the present.
A terrifically well acted and well mounted drama doing justice to a great book, Dolores Claiborne thrusts family trauma to the front of an on going murder investigation. King adaptations are well known for being very hit and miss, but this is certainly one of the better ones, it sees a shift from standard horror monsters, to monsters of a different kind, the human ones. Played out to a perpetually dank backdrop of rain, grey skies and a sea devoid of beauty, film unfolds to reveal the sadness of one family's roots, where emotional discord hangs heavy, constantly.
The structure is well handled by Hackford, as present day scenes merge into those from the past, giving off a perfectly ghost like feel to the plotting. Plummer's weary detective John Mackey is a bit too underwritten for my liking, and the time afforded the pre-trial debate and inquest is simply not enough to make the required impact once all the revelations come tumbling forward - the latter of which is nearly unforgivable given the film runs at over two hours. However, slight irks aside, this is still great stuff and if only for the trio of lead lady performances then this is a must see for the drama seeking film fan whom wants some intelligent emotional heft in the screenplay. 8/10
Plot sees Leigh as Selena St. George, a big-city reporter who travels to her home town island in Maine when her mother is accused of murdering the elderly woman that she was caring for. Her estranged mother, Dolores (Bates), is also widely suspected to have killed her husband and Selena's father some 20 years earlier, even though that was ruled as an accident. As mother and daughter come together, secrets of the past merge with the harshness of the present.
A terrifically well acted and well mounted drama doing justice to a great book, Dolores Claiborne thrusts family trauma to the front of an on going murder investigation. King adaptations are well known for being very hit and miss, but this is certainly one of the better ones, it sees a shift from standard horror monsters, to monsters of a different kind, the human ones. Played out to a perpetually dank backdrop of rain, grey skies and a sea devoid of beauty, film unfolds to reveal the sadness of one family's roots, where emotional discord hangs heavy, constantly.
The structure is well handled by Hackford, as present day scenes merge into those from the past, giving off a perfectly ghost like feel to the plotting. Plummer's weary detective John Mackey is a bit too underwritten for my liking, and the time afforded the pre-trial debate and inquest is simply not enough to make the required impact once all the revelations come tumbling forward - the latter of which is nearly unforgivable given the film runs at over two hours. However, slight irks aside, this is still great stuff and if only for the trio of lead lady performances then this is a must see for the drama seeking film fan whom wants some intelligent emotional heft in the screenplay. 8/10
- hitchcockthelegend
- 13 de jul. de 2012
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Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 24.361.867
- Fim de semana de estreia nos EUA e Canadá
- US$ 5.721.920
- 26 de mar. de 1995
- Faturamento bruto mundial
- US$ 24.361.867
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