You don't have to know a thing about rap music to love this screamingly funny satire about culture clash, the media, fame, hypocrisy and a lot more.
A black woman (college-educated, oh-so-serious public TV type) is filming a documentary on a three-man rap group from the streets. Calling their mean selves Niggas With Hats (NWH), they're very concerned, at least while on camera (which is all we see) with maintaining their `hood' persona.
All their managers are mysteriously shot dead while NWH are `out of town' (wink, nudge). Early on they switch from using family members as managers to employing Jewish white boys. Before the film ends, they go through six of these poor fellows.
The dialog between the group and their middle-aged Caucasian record company owner is sidesplitting. With misplaced confidence, the businessman feels compelled to speak street talk in a doomed attempt to bond with his artists. We watch the astonished faces of our rappers as they listen to his ludicrous slang, which dates back to Malcolm X's time.
NWH even puts out a Christmas album called `Ho, Ho, Ho's.' A rival rap group dogs their rise to fame, each outfit trying to destroy the other. NWH finally prevails, however, when it's discovered that the opposition's lead singer went to a prep school and even edited its yearbook. His career ruined, the antagonist and his crew are banished in shame.
There's an angry Spike Lee wannabe and an opening act, Vanilla Sherbet, a bouncy white rapper who insists he was raised by a black family. The concert audiences are pimply white youth who ape the group's moves, clothing and speech mannerisms and for whom the rappers can barely disguise their utter contempt.
Relating these details in no way spoils the fun, for it's the telling of the tale and the facial expressions of those to whom all of this happens that make the movie.
No matter what your age or background, you'll be howling out loud through many parts of this parody. See it soon.
