Épico biográfico do controverso e influente líder nacionalista negro, desde o início de sua carreira e carreira de gângster, até seu ministério como membro da nação do Islã.Épico biográfico do controverso e influente líder nacionalista negro, desde o início de sua carreira e carreira de gângster, até seu ministério como membro da nação do Islã.Épico biográfico do controverso e influente líder nacionalista negro, desde o início de sua carreira e carreira de gângster, até seu ministério como membro da nação do Islã.
- Indicado a 2 Oscars
- 19 vitórias e 24 indicações no total
- Benjamin 2X
- (as Jean LaMarre)
Enredo
Você sabia?
- CuriosidadesThe image of Denzel Washington holding the M1 Carbine and peering out the curtains is a direct visual recreation of an iconic photo that appeared in LIFE magazine.
- Erros de gravaçãoMalcolm watches television news footage of race riots, including the March 1965 attack on the Edmund Pettus Bridge in Selma, Alabama and the 1967 Newark, New Jersey Riots. Both incidents took place after Malcolm was assassinated in February 1965.
- Citações
Malcolm X: We were discussing the disciples. What color were they?
Chaplain Gill: Well, I don't think we know that for certain.
Malcolm X: But they were Hebrews, were they not?
Chaplain Gill: That's right.
Malcolm X: As was Jesus. Jesus was also a Hebrew.
Chaplain Gill: Why don't you just ask your question.
Malcolm X: What color were the original Hebrews?
Chaplain Gill: I have told you - that we don't know that for certain.
Malcolm X: Then you can't believe for certain - that Jesus was white.
Chaplain Gill: Just - just a moment. Just a moment. God is white.
[pointing to a painting of a white Jesus hanging on the wall]
Chaplain Gill: Isn't it obvious?
Malcolm X: Well, that
[nodding to the painting]
Malcolm X: is obvious, but we don't know if it's obvious that God is white. The honorable Elijah Muhammad teaches us that Jesus did not have blond hair and blue eyes. The honorable Elijah Muhammad teaches us that the images of Jesus that are on prison walls and churches throughout the world are not historically correct; because, history teaches us that Jesus was born in a region where the people had color. There's proof in the very Bible that you've asked us to read in Revelations, first chapter, verses 14 and 15, that Jesus had hair like wool and feet the color of brass.
Chaplain Gill: Just - just what're you saying?
Malcolm X: l'm not saying anything. l'm proving to you that Jesus was *not*, and I quote one of my lndian brothers here, he was not a paleface. Amen.
- Cenas durante ou pós-créditosAt the end of the credits the film is dedicated to Alex Haley, author of the book the movie is based on. There is also a picture of the book and a special note that says: "Read 'The Autobiography of Malcolm X'"
- ConexõesEdited from JFK: A Pergunta que Não Quer Calar (1991)
- Trilhas sonorasSomeday We'll All Be Free
Written by Donny Hathaway (as Donny E. Hathaway) and Edward U. Howard
Used by permission of WB Music Corp. and Kuumba Music Publishing Company
Produced by Arif Mardin
Performed by Aretha Franklin
Courtesy of Artista Records, Inc.
Washington carried the film with a great performance worthy of an Oscar nomination if not a win which might have been guaranteed had the director managed to focus.
Spike Lee did a good job as director which is saying a lot, given the historical scope, danger of offense, and controversy of the project. His one weak area in this film was editing. There is no reason this movie couldn't have been half an hour shorter. Right off the bat, there were unnecessarily lingering camera shots and scenes that could have omitted. Off the top of my head, I'm thinking of Spike himself sliding under a woman's skirt and mugging the camera. That scene not only failed to further the story but instead made the audience stand up and say, "Hey, that's Spike looking at us!" Lee's biggest editing mistake was based on his desire to tell the story of Malcolm X AND tell the story of the African-American experience. That's more than enough for several movies so why cram it all under one title? After a clear scene illustrating X's life, Lee would move to a large dance hall to illustrate the richness of the African-American experience. A quick shot of the dance hall would have been sufficient. Instead the far away shots were maintained for too long and when the focus moved back to specific characters it moved to the character played by Lee himself. Why? I don't know. It certainly didn't help us to understand X any better. The ending with children saying "I am Malcolm X" also went on too long and should have been part of a separate feature. The cameos were distracting. The movie could have been tighter, shorter, and better except that Spike Lee wanted to put everything, including the kitchen sink, into it.
That being said, it is a great movie and I'm glad I invested the three and a half hours to watch it.
- bbraat
- 20 de fev. de 2006
- Link permanente
Principais escolhas
Everything New on Paramount+ in December
Everything New on Paramount+ in December
Detalhes
Bilheteria
- Orçamento
- US$ 33.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 48.169.910
- Fim de semana de estreia nos EUA e Canadá
- US$ 9.871.125
- 22 de nov. de 1992
- Faturamento bruto mundial
- US$ 48.169.910
- Tempo de duração3 horas 22 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1