O Fantasma da Ópera

Título original: The Phantom of the Opera

1989
R
1 h 33 min

AVALIAÇÃO DA IMDb

5,5/10

4,6 mil

SUA AVALIAÇÃO

A young soprano becomes the obsession of a horribly disfigured composer, who has plans for those who oppose him or the young singer.

Reproduzir trailer1:43

1 vídeo

99+ fotos

Drama Horror Music Romance

Adicionar um enredo no seu idiomaA young soprano becomes the obsession of a horribly disfigured composer, who has plans for those who oppose him or the young singer.A young soprano becomes the obsession of a horribly disfigured composer, who has plans for those who oppose him or the young singer.A young soprano becomes the obsession of a horribly disfigured composer, who has plans for those who oppose him or the young singer.

Veja as informações de produção no IMDbPro

AVALIAÇÃO DA IMDb

5,5/10

4,6 mil

SUA AVALIAÇÃO

Veja as informações de produção no IMDbPro

Prêmios
- 1 vitória no total

Vídeos1

Trailer 1:43

Official Trailer

Fotos164

+ 158

Mais itens semelhantes

Enredo

Editar

Você sabia?

Editar

Curiosidades
A sequel, titled "The Phantom of the Opera 2: Terror in Manhattan", was planned, but never made. According to a 1991 article in Fangoria Magazine, the screenplay was re-written for Dance Macabre (1992), also starring Robert Englund.

Erros de gravação
When Christine first starts singing to the phantom in front of the fireplace near the beginning, her voice doesn't match her lip movement.

Citações
Christine Day: [back in the present] You're him, aren't you?
Erik Destler: [gives a sarcastic gasp] Had you expected someone else? Christine, you have always been my inspiration. You. And now, it's only a question of what you want: Love or music.
Erik Destler: [after she rips his fake skin off while he screams]
[seething in discomfort]
Erik Destler: I have waited a very long time for you to come back to me my dear
[coughing]
Erik Destler: We had a bargain you and I
[barks]
Erik Destler: FOREVER!
[now quietly]
Erik Destler: Forever!
Christine Day: [snatches up one of his surgical tools] NOT...
[and stabs him with it]
Christine Day: ... FOREVER!

Cenas durante ou pós-créditos
This Motion Picture is not associated with any current or prior stage play or motion picture of the same title.

Versões alternativas
Several scenes of extreme graphic violence had to be trimmed/deleted in order to get an R-rating in America.

Conexões
Featured in Behind the Mask: The Making of The Phantom of the Opera (2015)

Trilhas sonoras
Don Juan Triumphant
Composed and Conducted by Misha Segal

Avaliações de usuários95

Avaliar

Avaliação em destaque

A dark, yet good take on the Phantom

I like this movie. I'm a purist, which may be surprising, but I am and still like this movie. Why? Because it gives Erik his edge back. True, they give him a good bit extra, but in the novel, Erik could have cruel moments, he had an edge, a threat to him. Ever since the Lon Chaney (which is still the closest to the book version), Erik has lost his edge and become a sort of disfigured James Bond. While I don't have much of a problem, this is a nice beak from that. Robert Englund is one of my favorite actors, and this was the first or second movie I saw him in (the first, if it wasn't this one, would have been Urban Legend, decent movie on TV). He plays Erik with a sinister sensuality. His lanky frame and Kruegeresque swagger are fine qualities, he comes of confident. Erik was like that in the book many times, though he did become a lovesick puppy with Christine. Yes, it's a slasher, yes they make Erik quite cruel in it, but it does have many little tidbits from the book. Plus, it has the masked ball scene, which helps it score high with me!! Go in with an open mind and acceptance of a crueler Erik (or a sickness of a lovey-dovey Erik) and you should enjoy it. At least it's better than the Julian Sands version.