AVALIAÇÃO DA IMDb
6,6/10
61 mil
SUA AVALIAÇÃO
Dois policiais de Nova Iorque prendem um membro da Yakuza e devem escoltá-lo quando ele é extraditado para o Japão.Dois policiais de Nova Iorque prendem um membro da Yakuza e devem escoltá-lo quando ele é extraditado para o Japão.Dois policiais de Nova Iorque prendem um membro da Yakuza e devem escoltá-lo quando ele é extraditado para o Japão.
- Indicado a 2 Oscars
- 1 vitória e 6 indicações no total
Shigeru Kôyama
- Ohashi
- (as Shigeru Koyama)
Luis Guzmán
- Frankie
- (as Luis Guzman)
John Costelloe
- The Kid
- (as John A. Costelloe)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesYûsaku Matsuda's last film role. Matsuda knew he had bladder cancer and that his condition would be aggravated by acting in the movie. He elected to do so anyway, unbeknownst to director Sir Ridley Scott, reportedly saying, "This way, I will live forever." On November 6, 1989, less than seven weeks after the film's American premiere, Matsudo died of his bladder cancer at the age of 40. The film is dedicated to his memory.
- Erros de gravaçãoWhen Sato has Charlie cornered in the parking garage, and is about to behead him, he looks back at Conklin, and draws a weapon. That looks to be a Wakizashi (Japanese side-sword to accompany the Katana). As he rides off to behead Charlie, he is scraping along the ground a much larger sword (Katana).
- Citações
Nick Conklin: Just hope they got a Nip in this building who speaks fucking English.
Matsumoto Masahiro: [overhearing] Assistant Inspector Matsumoto Masahiro, Criminal Investigation section, Osaka Prefecture police. And I do speak fucking English.
- Cenas durante ou pós-créditosThe end credits begin with a Japanese kanji, which can be translated as "complete" or "end" and is sometimes used at the end of Japanese films.
- ConexõesEdited into Caminhando com os Dinossauros (1999)
- Trilhas sonorasI'll Be Holding On
By Hans Zimmer and Will Jennings
Performed by Gregg Allman
Produced by David Paich
Gregg Allman performs courtesy of EPIC Records
Avaliação em destaque
Nick Conklin (Douglas) and Charlie Vincent (Garcia) are US cops who get involved in a Yakuza killing and capture a dangerous murderer Sato (Yasuka Matsuda). When delivering him to authorities in Japan, Sato escapes and Conklin and Vincent are forced to team up with Masahiro Matsumoto (Ken Takakura) in order to hunt him down. The clash in cultures creates tension as the investigation continues.
On the surface this is a mismatched partner movie that thinks it's more than that because it addresses issues of honour between culture. It is more than a buddy cop movie and manages to be a tense thriller and look at the clash of East & West. I'm not a Douglas fan but he does play the darker characters quite well and is pretty good here. Garcia is good but is really only a plot device when you look at his character. Takakura is strong in his role as the cop trying to hold to the ways of honour of his bosses but torn by the action methods of the West and Douglas. It is him who has to carry much of the moral weight of the film. Matsuda carries off Sato well and makes him more that a gangster character.
The real star of this is Scott's direction. He makes his city-scapes a present day version of Blade Runner - Japan is darkly dangerous and lit in neon. The direction is very stylish but can sometimes take away from the quality of the product and make it seem all style and no substance. Hans Zimmer score is as haunting as ever and fits the mood perfectly.
The story is perhaps a tad hackneyed and is not anything that different. Some of the East/West clash stuff doesn't work but it is still interesting to see the characters change to take elements of the other's cultures. The style and action carries the film well - any insight into culture differences is a nice bonus, overall an unoriginal idea is turned into a good film by good actors and a good director.
On the surface this is a mismatched partner movie that thinks it's more than that because it addresses issues of honour between culture. It is more than a buddy cop movie and manages to be a tense thriller and look at the clash of East & West. I'm not a Douglas fan but he does play the darker characters quite well and is pretty good here. Garcia is good but is really only a plot device when you look at his character. Takakura is strong in his role as the cop trying to hold to the ways of honour of his bosses but torn by the action methods of the West and Douglas. It is him who has to carry much of the moral weight of the film. Matsuda carries off Sato well and makes him more that a gangster character.
The real star of this is Scott's direction. He makes his city-scapes a present day version of Blade Runner - Japan is darkly dangerous and lit in neon. The direction is very stylish but can sometimes take away from the quality of the product and make it seem all style and no substance. Hans Zimmer score is as haunting as ever and fits the mood perfectly.
The story is perhaps a tad hackneyed and is not anything that different. Some of the East/West clash stuff doesn't work but it is still interesting to see the characters change to take elements of the other's cultures. The style and action carries the film well - any insight into culture differences is a nice bonus, overall an unoriginal idea is turned into a good film by good actors and a good director.
- bob the moo
- 7 de nov. de 2001
- Link permanente
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Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- Lluvia negra
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 30.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 46.212.055
- Fim de semana de estreia nos EUA e Canadá
- US$ 9.677.102
- 24 de set. de 1989
- Faturamento bruto mundial
- US$ 134.212.055
- Tempo de duração2 horas 5 minutos
- Cor
- Proporção
- 2.39 : 1
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