Matar ou Morrer 2: A Volta de Will Kane
Título original: High Noon, Part II: The Return of Will Kane
AVALIAÇÃO DA IMDb
5,2/10
366
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaFormer Marshal Will Kane returns to Hadleyville a year after he resigned and finds the town in the grip of a tyrannical Marshal who abuses his power.Former Marshal Will Kane returns to Hadleyville a year after he resigned and finds the town in the grip of a tyrannical Marshal who abuses his power.Former Marshal Will Kane returns to Hadleyville a year after he resigned and finds the town in the grip of a tyrannical Marshal who abuses his power.
Henry Kendrick
- Martin Garver
- (as Henry Max Kendrick)
Tiny Wells
- Riley
- (as Tiny Welles)
Enredo
Você sabia?
- CuriosidadesShot on location at Old Tucson Studio in Tucson, Arizona.
- Citações
Marshal J.D. Ward: The only law you got is this piece of tin worth about two bits...
[drops his marshal badge on the justice of the peace's desk]
Marshal J.D. Ward: Now you got nothin'.
- ConexõesFollows Matar ou Morrer (1952)
Avaliação em destaque
I hated this movie when I watched it, and after watching it again now I know why I hate it so much.
High Noon, Part II: The Return of Will Kane had virtually nothing to do with the original High Noon. It cashed in in the original to give us a title character and that was about all. Near the beginning we get a gratuitous slaughter of a pen full of horses as the bounty hunter tries to catch a guy he knows could not have committed the crime he's charged with. Since the guy is in with the horses, just shoot the horses to find the guy, right? I wasn't angry with the guy who shot the horses, I was angry that the writer and producer thought that disgusting and unnecessary scene would be worth including in the movie. I don't care that they of course didn't REALLY shoot the horses, it was still gratuitously sick. It didn't make me hate the bad guy (which he earned on his own), it made me hate the movie. And, it never got any better afterward.
Lee Majors as Will Kane was horrible. Talk about a stiff, cardboard, unsympathetic portrayal. Pernell Roberts came across as the biggest jerk on the planet. Sure, you're not supposed to like the 'bad guy' but in this case it went beyond 'dislike' to 'I despise this movie because the bad guy is so annoying.' (Actually, Richard Jaeckel, Skip Homeier and Richard Boone played numerous bad guys who I still enjoyed watching even though I wanted them to 'get theirs'.) I don't know how Majors or Roberts has ever been a success in acting; neither of them can play a character I care one iota about.
I think though that I could tolerate Majors and Roberts and the storyline a lot better if there wasn't this tenuous attempt to connect this story with High Noon. It could have stood on its own as a story and in my opinion would have been much better had it been a story in its own right than with the attempted High Noon tie-in. Lee Majors compared to Gary Cooper is like Tom Selleck compared to Clark Gable. This movie's biggest annoyance is that they tried to cash in on the name of a classic Western, for no good reason. Now, if we saw a much older Will Kane having to face the sons of the men he had to kill, that would be a relevant story to make a Part II; this however is ruined by trying to make the connection. I'm changing my '1' rating to a '4', but really this was a very misguided effort.
High Noon, Part II: The Return of Will Kane had virtually nothing to do with the original High Noon. It cashed in in the original to give us a title character and that was about all. Near the beginning we get a gratuitous slaughter of a pen full of horses as the bounty hunter tries to catch a guy he knows could not have committed the crime he's charged with. Since the guy is in with the horses, just shoot the horses to find the guy, right? I wasn't angry with the guy who shot the horses, I was angry that the writer and producer thought that disgusting and unnecessary scene would be worth including in the movie. I don't care that they of course didn't REALLY shoot the horses, it was still gratuitously sick. It didn't make me hate the bad guy (which he earned on his own), it made me hate the movie. And, it never got any better afterward.
Lee Majors as Will Kane was horrible. Talk about a stiff, cardboard, unsympathetic portrayal. Pernell Roberts came across as the biggest jerk on the planet. Sure, you're not supposed to like the 'bad guy' but in this case it went beyond 'dislike' to 'I despise this movie because the bad guy is so annoying.' (Actually, Richard Jaeckel, Skip Homeier and Richard Boone played numerous bad guys who I still enjoyed watching even though I wanted them to 'get theirs'.) I don't know how Majors or Roberts has ever been a success in acting; neither of them can play a character I care one iota about.
I think though that I could tolerate Majors and Roberts and the storyline a lot better if there wasn't this tenuous attempt to connect this story with High Noon. It could have stood on its own as a story and in my opinion would have been much better had it been a story in its own right than with the attempted High Noon tie-in. Lee Majors compared to Gary Cooper is like Tom Selleck compared to Clark Gable. This movie's biggest annoyance is that they tried to cash in on the name of a classic Western, for no good reason. Now, if we saw a much older Will Kane having to face the sons of the men he had to kill, that would be a relevant story to make a Part II; this however is ruined by trying to make the connection. I'm changing my '1' rating to a '4', but really this was a very misguided effort.
- rooster_davis
- 26 de jan. de 2008
- Link permanente
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente
Principal brecha
By what name was Matar ou Morrer 2: A Volta de Will Kane (1980) officially released in Canada in English?
Responda