A Bruma Assassina

The small coastal town of Antonio Bay is celebrating its 100th year since being founded. However the residents are not aware of the tragic history of their small town and think nothing of the wider significance of the date as they prepare for a big party; they don't even put together all the strange things that start happening on the day itself. However when a small boat is lost in a dense fog that contains a mysterious ship some residents begin to suspect something more sinister than meteorology is at work.

With a remake in the cinemas and the fact that I had just returned from the coast of northern California I thought I'd revisit The Fog having not seen it for almost 15 years. Trading on the very hallmarks that made John Carpenter famous (before he couldn't buy a hit movie) The Fog is an effective chiller even if it won't scare those accustomed to more gory, modern fare. Quite short and to the point, the film makes good use of the fog to draw tension out of every scene and overcomes the potential silliness of a smoke machine working overtime behind the scenes. Instead the tension is consistent and produces a good few jumps and build ups along the way; the ghosts are kept well hidden so that the limited effects don't undermine them by totally exposing them. Carpenter uses his usual minimalist electronic score to good effect, playing it low and constant like a heartbeat.

The famous cast help the convincing atmosphere and do more than just run and scream. Barbeau leads the cast well from the solitude of her lighthouse and she helps keep the tension up with her delivery. Curtis and Leigh both have smaller roles but they add class to the film and they "do" scared well. Atkins makes for a good male lead and he gets solid help from Holbrook and a few others in supporting roles. The zombie creatures move slowly but are a good presence.

Overall this is a solid chiller from the days when Carpenter seemed to know what he was doing. The low budget effects are covered up by solid delivery and a consistently tense atmosphere which is supported by convincing performances and Carpenter's usual low, steady consistent score.