O ladrão Gaston escapa da masmorra medieval de Aquila através da latrina. Os soldados estão prestes a matá-lo quando Navarra o salva. Navarra, viajando com seu falcão animado, planeja matar ... Ler tudoO ladrão Gaston escapa da masmorra medieval de Aquila através da latrina. Os soldados estão prestes a matá-lo quando Navarra o salva. Navarra, viajando com seu falcão animado, planeja matar o bispo de Áquila com a ajuda de Gaston.O ladrão Gaston escapa da masmorra medieval de Aquila através da latrina. Os soldados estão prestes a matá-lo quando Navarra o salva. Navarra, viajando com seu falcão animado, planeja matar o bispo de Áquila com a ajuda de Gaston.
- Indicado a 2 Oscars
- 5 vitórias e 7 indicações no total
Alex Serra
- Mr. Pitou
- (as Alessandro Serra)
Russel Case
- Lieutenant
- (as Russell Kase)
Donald Hodson
- Guard on Cart
- (as Don Hudson)
Rodd Dana
- Guard at the City Gate
- (as Rod Dana)
Enredo
Você sabia?
- CuriosidadesSpike II, the hawk featured in this movie, worked in the Universal Bird Show until 2000, when she was transfered to the National Audubon society and became an Audubon Ambassador until she died in May 2007. Another hawk was used for flying scenes, and another to sit on Rutger Hauer's arm. One enjoyed Hauer's company so much it would ruffle its feathers when seated on his arm, making it look more like a chicken.
- Erros de gravaçãoYou can hear someone say 'cut' just before Phillipe says, "It's not unlike escaping Mother's womb."
- Cenas durante ou pós-créditosWith Loving Memory to "Little Pasta"
- ConexõesFeatured in At the Movies: King David/Lady Hawke/Fraternity Vacation (1985)
Avaliação em destaque
Ever since I was a kid, I loved fantasy movies. As a matter of fact, anything with sword fights was great in my book. And since I grew up in the days before Lord of the Rings came along, my favourites were always mid-to-late-eighties fantasy epics like The Princess Bride, Willow, and Ladyhawke.
It's all about an outcast knight and his lover, who have been cursed by an evil bishop to become animals during night and day, so they're never together in human form. He becomes a wolf and she becomes a hawk (hence the title). The knight enlists the help of a young thief to break into the cathedral and take his revenge on the bishop. Aside from the basic premise, it's more of a historical movie than a fantasy movie. There's no magic other than the curse, and no trolls or giants or anything, which was partly the reason I enjoyed it so much.
I've also always loved this movie for it's great storyline and interesting characters. Philipe's conversations with God still amuse me, as does the drunken monk played by Leo McKern ... It comes from director Richard Donner, who of course brought us Superman I & II, the Lethal Weapon movies and so on. This is essentially a well-directed movie, although a lot of people have issues with the choice of soundtrack. It's kind of a techno-poppy thing, which I blame NeverEnding Story for. A lot of eighties fantasy movies went with the same idea, but it works with Ladyhawke better than it works with most others, although I would of course prefer a more conventional and less intrusive score. On the whole, the sets and the props are pretty convincing, although some of the fight sequences aren't particularly great.
Here we have an early Matthew Broderick performance which shows how little his acting skills have developed since. Not that he's a bad actor, just an early bloomer I guess. Cult icon Rutger Hauer, of whom I have always been a huge fan (Blade Runner, The Hitcher, The 10th Kingdom) gives a fantastic performance as the outcast knight, and as we all know it's never a bad idea to have Michelle Pfeiffer in a movie.
You should definitely see this movie if you're a fan of the genre, or of any of the actors involved. It's a wonderful fantasy adventure for all ages.
It's all about an outcast knight and his lover, who have been cursed by an evil bishop to become animals during night and day, so they're never together in human form. He becomes a wolf and she becomes a hawk (hence the title). The knight enlists the help of a young thief to break into the cathedral and take his revenge on the bishop. Aside from the basic premise, it's more of a historical movie than a fantasy movie. There's no magic other than the curse, and no trolls or giants or anything, which was partly the reason I enjoyed it so much.
I've also always loved this movie for it's great storyline and interesting characters. Philipe's conversations with God still amuse me, as does the drunken monk played by Leo McKern ... It comes from director Richard Donner, who of course brought us Superman I & II, the Lethal Weapon movies and so on. This is essentially a well-directed movie, although a lot of people have issues with the choice of soundtrack. It's kind of a techno-poppy thing, which I blame NeverEnding Story for. A lot of eighties fantasy movies went with the same idea, but it works with Ladyhawke better than it works with most others, although I would of course prefer a more conventional and less intrusive score. On the whole, the sets and the props are pretty convincing, although some of the fight sequences aren't particularly great.
Here we have an early Matthew Broderick performance which shows how little his acting skills have developed since. Not that he's a bad actor, just an early bloomer I guess. Cult icon Rutger Hauer, of whom I have always been a huge fan (Blade Runner, The Hitcher, The 10th Kingdom) gives a fantastic performance as the outcast knight, and as we all know it's never a bad idea to have Michelle Pfeiffer in a movie.
You should definitely see this movie if you're a fan of the genre, or of any of the actors involved. It's a wonderful fantasy adventure for all ages.
- Teknofobe70
- 5 de abr. de 2005
- Link permanente
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Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- El hechizo de Aquila
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 20.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 18.432.000
- Fim de semana de estreia nos EUA e Canadá
- US$ 3.450.536
- 14 de abr. de 1985
- Faturamento bruto mundial
- US$ 18.432.000
- Tempo de duração2 horas 1 minuto
- Cor
- Proporção
- 2.39 : 1
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